11 Songs, 46 Minutes

EDITORS’ NOTES

Unlike several of Richard Marx’s more recent releases, where his voice and acoustic guitars did much of the work, 2014’s Beautiful Goodbye is a lushly recorded album of beguiling soft rock and adult pop. It's produced by Marx and the consummate hit producer Walter Afanasieff, best known for his work with Mariah Carey, Whitney Houston, Celine Dion, Luther Vandross, and Babyface. Marx was a late-‘80s pop star who's still in miraculous voice, and he brings much of himself to this album. (It's suggested that it’s his gentle farewell to his 25-year marriage to actress Cynthia Rhodes.) “Have a Little Faith,” “To My Senses,” and “Suddenly” appeared in different forms on Marx’s Sundown album, while “Forgot to Remember” is cowritten with Vertical Horizon’s Matt Scannell and singer/songwriter Chris Mann, a contestant from The Voice. “Turn Off the Night” is cowritten with Evanescence’s David Hodges, while coproducer Afanasieff cowrote the lively “Getaway.” However, ultra-personal songs such as “Like the World Is Ending” and “To My Senses” are solely from Marx’s pen. 

EDITORS’ NOTES

Unlike several of Richard Marx’s more recent releases, where his voice and acoustic guitars did much of the work, 2014’s Beautiful Goodbye is a lushly recorded album of beguiling soft rock and adult pop. It's produced by Marx and the consummate hit producer Walter Afanasieff, best known for his work with Mariah Carey, Whitney Houston, Celine Dion, Luther Vandross, and Babyface. Marx was a late-‘80s pop star who's still in miraculous voice, and he brings much of himself to this album. (It's suggested that it’s his gentle farewell to his 25-year marriage to actress Cynthia Rhodes.) “Have a Little Faith,” “To My Senses,” and “Suddenly” appeared in different forms on Marx’s Sundown album, while “Forgot to Remember” is cowritten with Vertical Horizon’s Matt Scannell and singer/songwriter Chris Mann, a contestant from The Voice. “Turn Off the Night” is cowritten with Evanescence’s David Hodges, while coproducer Afanasieff cowrote the lively “Getaway.” However, ultra-personal songs such as “Like the World Is Ending” and “To My Senses” are solely from Marx’s pen. 

TITLE TIME

Ratings and Reviews

4.8 out of 5
168 Ratings
168 Ratings

I love his voice!

A TRUE CRITIC

Turn Off the Night is perfect! Excited to hear the rest of this album.

Turn off the night

Incrosby

Love "Turn off the night "...beautiful song !

What a voice!!!!

Sin37890

Wow, your voice hasn't skipped a beat!! Looking forward to the rest of the new music!! Nice job!!!!

About Richard Marx

Before he became a pop/rock heavyweight during the late '80s (and an adult contemporary balladeer throughout the following two decades), Richard Marx sang on commercials and performed as a backing vocalist for Lionel Richie, Whitney Houston, and Julio Iglesias. The Chicago native also delved into professional songwriting, penning tunes for Kenny Rogers and the St. Elmo's Fire soundtrack before landing a solo contract with EMI Records. Featuring production from David Cole, who later launched C+C Music Factory, Marx's self-titled debut was released in 1987 and catapulted the artist to the top of the Billboard charts. "Don't Mean Nothing" and "Should've Known Better" were slick, radio-ready singles that emphasized guitar riffs and power chords, but Marx's real strength lay with ballads like "Endless Summer Nights" and "Hold on to the Nights." By the time Repeat Offender arrived in 1989, Marx had already established his presence on the charts; nevertheless, the album helped make him a genuine star, with "Right Here Waiting" marking his third consecutive number one hit in America. Another song, "Angelia," was Marx's record-breaking seventh consecutive single to crack the Top Five.

The murder ballad "Hazard" topped charts around the world, but with the release of its parent album Rush Street in 1991, Richard Marx's commercial fortunes started to slip as mainstream tastes shifted away from the slick, well-constructed songs that were his forte. Despite the Top Ten hit single "Now and Forever," 1994's Paid Vacation fell from the charts quickly, and Marx entered a period of seclusion, eventually returning in the spring of 1997 with an adult contemporary album titled Flesh & Bone. The following year saw him performing a duet with Donna Lewis on a contribution to the Anastasia soundtrack, and Days in Avalon was quietly issued in fall 2000. While the album fared modestly well in the adult contemporary market, Marx found more success as a producer and songwriter for other artists. He penned the Top Ten hit "This I Promise You" for *NSYNC and co-wrote "Dance with My Father," which won a Grammy, for Luther Vandross; other projects included writing material for 98°, SHeDAISY, and Josh Groban. He returned to his solo career several years later, issuing My Own Best Enemy in 2004.

There then followed a prolific period of relatively low-key releases. Duo, a collaboration with Vertical Horizon's Matt Scannell, came out in 2008. Two Marx solo studio albums were also released simultaneously that same year, but only digitally: Emotional Remains comprised all new material, while Sundown was half cover versions. The acoustic album Stories to Tell followed in 2010, and the holiday effort Christmas Spirit in 2012. Beautiful Goodbye was Marx's first studio album of all-new material to be released on CD for a full ten years. Preceded by the racy single "Whatever We Started," it was slated for release in July 2014. That year Marx returned to the spotlight with a guest appearance on American Idol, and also announced his divorce from his wife of 25 years, actress Cynthia Rhodes. ~ Stephen Thomas Erlewine & Andrew Leahey

HOMETOWN
Chicago, IL
GENRE
Pop
BORN
September 16, 1963

Songs

Albums

Videos

Listeners Also Bought