24 Songs, 1 Hour 16 Minutes

EDITORS’ NOTES

Few vocal groups could hope to match the harmonic skill and exuberant delivery of the Four Tops, from the breezy stroll of “It’s the Same Old Song” to the impassioned punch of “Bernadette.” The booming baritone of Levi Stubbs led the Motown mainstays through such sophisticated gems as “Reach Out I’ll Be There” and “Standing in the Shadows of Love,” dramatic songs from the Holland-Dozier-Holland team that featured epic production, stirring soul-pop arrangements, and voices that urged each other on at every turn.

EDITORS’ NOTES

Few vocal groups could hope to match the harmonic skill and exuberant delivery of the Four Tops, from the breezy stroll of “It’s the Same Old Song” to the impassioned punch of “Bernadette.” The booming baritone of Levi Stubbs led the Motown mainstays through such sophisticated gems as “Reach Out I’ll Be There” and “Standing in the Shadows of Love,” dramatic songs from the Holland-Dozier-Holland team that featured epic production, stirring soul-pop arrangements, and voices that urged each other on at every turn.

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Ratings and Reviews

4.4 out of 5
129 Ratings
129 Ratings
norm dds

Four Tops

As a kid growing up in Detroit, everyone could tell you about the Motown experience. The Four Tops, Stevie Wonder, Smokey Robinson all of whom, an the many more Motown Artist that bought homes in Northwest Detroit. Today, I still see Duke Fakir at the grocery store or at Dr. K's dental office on Grand Blvd.

These songs, Baby I need your lovin, It's the Same Old Song, Catfish, Bernadette are love tunes for the ages. They take me and many others back to a unique time, growing up in Detroit when there was plenty of work and the Bosses were indeed paying.

bloodaxe

Walk Away Renee

I dig the Four Tops, and this album is great. However, I want to point out to anyone who loves the song "Walk Away Renee", that the original by the band the Left Banke (unfortunately not listed on iTunes yet), is INFINITELY more emotional and compelling. There really isn't a comparison. The Four Tops pounded out this song by precision, and the song isn't meant to be a sharp pop song, but more of a baroque wail. It is a very sad song, haunting and beautiful when it's done by the Left Banke. The closest version to theirs is by "three sides" here on itunes.

I wish iTunes could score a Left Banke album from 1966. Their second hit, "Pretty Ballerina" is almost as great. Lyrics like
"I called her yesterday
it should have been tomorrow
I could not keep the joy that was inside
I begged for her to tell me
If she really loved me
Somewhere a mountain is moving
I'm afraid it's moving without me"

You can't go wrong. The Left Banke should be available on itunes!

howslife man

yeah ya

the four tops rule
they are truely some of the best

About Four Tops

The Four Tops' story is one of longevity and togetherness: these Motown legends teamed up in high school and spent over four decades without a single personnel change. In between, they became one of the top-tier acts on a label with no shortage of talent, ranking with the Temptations and the Supremes as Motown's most consistent hitmakers. Where many other R&B vocal groups spotlighted a tenor-range lead singer, the Four Tops were fronted by deep-voiced Levi Stubbs, who never cut a solo record outside of the group. Stubbs had all the grit of a pleading, wailing, gospel-trained soul belter, but at the same time, the Tops' creamy harmonies were smooth enough for Motown's radio-friendly pop-soul productions. From 1964-1967, the Four Tops recorded some of the Holland-Dozier-Holland team's greatest compositions, including "Reach Out, I'll Be There," "I Can't Help Myself (Sugar Pie, Honey Bunch)," "Standing in the Shadows of Love," "Bernadette," and "Baby I Need Your Loving." The group's fortunes took a downturn when their chief source of material left the label, but they enjoyed a renaissance in the early '70s, which saw them switching to the ABC-Dunhill imprint. Regardless of commercial fortunes, they kept on performing and touring, scoring the occasional comeback hit.

The Four Tops began life in 1953 (some accounts say 1954), when all of the members were attending Detroit-area high schools. Levi Stubbs and Abdul "Duke" Fakir went to Pershing, and met Northern students Renaldo "Obie" Benson and Lawrence Payton at a friend's birthday party, where the quartet members first sang together. Sensing an immediate chemistry, they began rehearsing together and dubbed themselves the Four Aims. Payton's cousin Roquel Davis, a budding songwriter who sometimes sang with the group during its early days, helped them get an audition with Chess Records in 1956. Although Chess was more interested in Davis, who went on to become Berry Gordy's songwriting partner, they also signed the Four Aims, who became the Four Tops to avoid confusion with the Ames Brothers. The Four Tops' lone Chess single, "Kiss Me Baby," was an unequivocal flop, and the group moved on to similarly brief stints at Red Top and Riverside. They signed with Columbia in 1960 and were steered in a more upscale supper-club direction, singing jazz and pop standards. This too failed to break them, although they did tour with Billy Eckstine during this period.

In 1963, the Four Tops signed with longtime friend Berry Gordy's new label, specifically the jazz-oriented Workshop subsidiary. They completed a debut LP, to be called Breaking Through, but Gordy scrapped it and switched their style back to R&B, placing them on Motown with the Holland-Dozier-Holland songwriting team. After a full decade in existence, the Four Tops finally notched their first hit in 1964 with "Baby I Need Your Loving," which just missed the pop Top Ten. Early 1965 brought the follow-up ballad hit "Ask the Lonely," and from then on there was no stopping them. "I Can't Help Myself (Sugar Pie, Honey Bunch)" went all the way to number one that spring, and the follow-up "It's the Same Old Song" reached the Top Five. The hits continued into 1966, with "Something About You" "Shake Me, Wake Me (When It's Over)," and "Loving You Is Sweeter Than Ever" all coming in succession. The fall of 1966 brought the group's masterpiece in the form of the virtual soul symphony "Reach Out, I'll Be There"; not only did it become their second number one pop hit, it also wound up ranking as the creative peak of the group's career and one of Motown's finest singles ever. During this period, the Tops also earned a reputation as one of Motown's best live acts, having previously honed their performances for years before hitting the big time.

The Four Tops kicked off 1967 with the dramatic Top Ten smash "Standing in the Shadows of Love," which was followed by the Top Five "Bernadette." "7-Rooms of Gloom" and "You Keep Running Away" reached the Top 20, but toward the end of the year, Holland-Dozier-Holland left Motown over a financial dispute, which didn't bode well for the Four Tops' impressive hit streak. Their next two hits, 1968's "Walk Away Renee" and "If I Were a Carpenter," were both covers of well-known recent songs (by the Left Banke and Tim Hardin, respectively), and while both made the Top 20, they heralded a rough couple of years when top-drawer material was in short supply. They enjoyed a resurgence in 1970 under producer Frank Wilson, who helmed a hit cover of the Tommy Edwards pop standard "It's All in the Game" and a ballad co-written by Smokey Robinson, "Still Water (Love)." The Tops also recorded with the post-Diana Ross Supremes, scoring a duet hit with a cover of "River Deep, Mountain High" in 1971.

When Motown moved its headquarters to Los Angeles in 1972, the Four Tops parted ways with the company, choosing to remain in their hometown of Detroit. They signed with ABC-Dunhill and were teamed with producers/songwriters Dennis Lambert and Brian Potter, who did their best to re-create the group's trademark Motown sound. The immediate result was "Keeper of the Castle," the Four Tops' first Top Ten hit in several years. They followed it in early 1973 with "Ain't No Woman (Like the One I've Got)," a gold-selling smash that proved to be their final Top Five pop hit. That year they also recorded the theme song to the film Shaft in Africa, "Are You Man Enough." Several more R&B chart hits followed over the next few years, with the last being 1976's "Catfish"; after a final ABC album in 1978, the Tops largely disappeared from sight before resurfacing on Casablanca in 1981. Incredibly, their first single, "When She Was My Girl," went all the way to number one on the R&B charts, just missing the pop Top Ten. The accompanying album, Tonight!, became their last to hit the Top 40.

The Four Tops rejoined Motown in 1983, the year of the company's 25th anniversary, and toured extensively with the Temptations. They also recorded a couple albums of new material that failed to sell well, and wound up leaving Motown amid confusion over proper musical direction. Meanwhile, Levi Stubbs provided the voice for Audrey the man-eating plant in the film version of Little Shop of Horrors. The Four Tops next caught on with Arista, where in 1988 they scored their last Top 40 pop hit, the aptly titled "Indestructible." The Four Tops were inducted into the Rock and Roll Hall of Fame in 1990, and continued to tour the oldies circuit. In 1997, Lawrence Payton passed away due to cancer of the liver, which proved to be the only thing that could break up the Four Tops. After some consideration, the remaining members hired Theo Peoples to take Payton's place on tour. ~ Steve Huey

ORIGIN
Detroit, MI
FORMED
1956

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