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Back in the Circus

Jonatha Brooke

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Album Review

Jonatha Brooke's perseverance has paid off. Like Aimee Mann, she's maneuvered a broken staircase of fluctuating acceptance, band breakups, and record label shakeups with nimble feet and a consistent songwriting vision. Now, she's arrived on the top floor landing with Back in the Circus, a typically audacious effort that showcases her singing and writing even as it flirts with new musical directions. Good timing — Circus is the third release for her Bad Dog imprint, but the first to benefit from Verve's distribution, suggesting that its nods to accessibility will find plenty of willing ears. Another first — Brooke served as her own producer. Who better to know just when — or when not to — accentuate Back in the Circus' expressive vocals, pointed lyrics, and intriguing story arc with subtle programming or bits of modernist instrumental sampling? Sure, Brooke and principal collaborators Eric Bazilian and Ryan Freeland get a bit carried away sometimes. "Less Than Love Is Nothing"'s push-button percussion stippling and synth washes sidle too closely to being simply satisfactory in the electronic-organic world of 21st century adult alternative music. Likewise, the breezy keys and treated, three-prong glitches of her run through "Fire and Rain" make it pleasant but tentative — too preoccupied with converting the casual fan searching for a gimmick. Covers of "God Only Knows" and Alan Parsons' "Eye in the Sky" fare much better. The scratchy electronics and acoustic tatters of the former are a cool exercise in deconstruction, while the latter is remade as a classic Jonatha Brooke folk song, full of gorgeously wavering vocal phrasing and tasteful twinges of mandolin over its melancholy piano rhythms. Brooke's originals overwhelmingly benefit from Circus' digital organics. The title track is an unbalanced and dizzying cocktail, with accordion, keys, guitar, and laptops all joining in the fray. "Back in the circus/But at least I know the routine," she sings. "Got back to back matinees/Me and the drag queens." Is the roller coaster ride a reference to her career, or life in general? "Better After All" renews her love of light folk-pop, but "It Matters Now" and "Sleeping With the Light On" are probably the best representation of today's Jonatha Brooke. They hybrid electronics, acoustics, and intelligent songwriting differently — one's hopeful, the other is intimate and spine-tingling. But they're examples of a veteran artist challenging her sound without losing her voice.

Customer Reviews

plumb is the best

if you're looking for a place to start with Jonatha Brooke I say start with her album Plumb....amazing. this one is a bit hit and iss - she is remarkable and is Plumb... the other albums not so much

Some really good, some OK

For me this album has its ups and downs. I LOVE what she did with Eye In The Sky. I don't really care for her covers of Fire and Rain or God Only Knows. Overall a good album. As usual, Jonatha pours out her heart and soul in all her work.

What's the Fuss About?

This was my first exposure to the lovely Jonatha and I wasn't too impressed. I tried to stay open minded and listened to it many times on a trip with a friend. Her vocal ability is amazing, but a third of the album is covers? Not enough original material to make an album? Her music is great, very rich and soulful, but her lyrics are overly simplistic and quite juvenile, and she seems to be more concerned with rhyming than song quality. I hear her other efforts are better, but I'm not sure if I can take any more...

Biography

Born: January 23, 1964 in Illinois

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Singer/songwriter/guitarist Jonatha Brooke began issuing albums that merged folk and pop during the early 1990s, first as a member of a female duo named the Story and later as a solo artist. Brooke formed the Story (originally called "Jonatha & Jennifer" during the duo's early years) along with another vocalist, Jennifer Kimball, who attended Massachusetts' Amherst College with Brooke in the early '80s. Despite playing regular local gigs during their college career, the girls never issued any...
Full Bio