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Between Black and White

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Album Review

1999 marked 20 years since the band's unique combination of distinctively Japanese elements — June Kuramoto's classical-flavored koto, Johnny Mori's booming Taiko drum — with funky pop, urban, and jazz sensibilities first hit the instrumental music charts, and 25 years since saxophonist and East L.A. native Dan Kuramoto first formed the ensemble. Their Windham Hill Jazz debut (and 11th release overall) Between Black and White finds them once again blending contemporary root music, mystical Eastern exotica, and melodically rich smooth jazz that further deepens their larger commitment to global unity on the cusp of the new millennium. Hiroshima once again dares to push the envelope and engage diversity from track to track. The mix of dreamy koto and keyboard mysticism and thick hip-hop grooves and soulful sax on "Mix Plate" sets the tone for the whole project on the instrumental side. Hiroshima has worked with some great vocalists over the years, and Terry Steele — who wrote Luther Vandross' signature smash "Here and Now" — adds to the litany with his cool, romantic approach to "The Door Is Open."

Customer Reviews

Great Jazz Album

This Jazz Music is good, just like sitting at the Playboy Jazz Festival,,, good times

Biography

Formed: 1974 in Los Angeles, CA

Genre: Jazz

Years Active: '70s, '80s, '90s, '00s, '10s

Hiroshima, a group whose music falls between R&B, pop, world music, and jazz, has long had its own niche. The band integrates traditional Japanese instruments into their musical blend and has generally been both commercial and creative within its genre. Hiroshima's founding members are keyboardist Dan Kuramoto (who also played shakuhachi), June Okida Kuramoto on koto (a key part of the group's sound), Johnny Mori on taiko drums, and Danny Yamamoto on drums, percussion, and taiko. Other additions...
Full Bio
Between Black and White, Hiroshima
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Customer Ratings

Contemporaries