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Big Yellow Taxi - EP (Remixed)

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Customer Reviews

Joni Takes Control...

I have to strongly disagree with the first review of this song-variation album. Joni Mitchell has never allowed anything she has done to be released without her stamp of approval in some way shape or form. I believe she did this album rather tongue in cheek to show how a classic can be "remixed"...and who better to do it than the artist herself. Again this is Joni showing her versatility as an artist and yes businesslady as well...kudos Joni...and your use of the children's sketch pretty much addresses the audience it's intended for....innocent but with much to learn.


I'm a huge Joni fan, and it's great to see one of her most bare-bones, pure, sparsely arranged songs get new dresses to try on. Nothing beats the original of course, but these remixes are sweet to fall into and get lost in.


Joni Mitchell obviously had no control or ability to stop this- Big Yellow Taxi has been abused commercially several times over the years but this remix EP is by far the absolute worst! Artists like Joni just don't belong remixed, what is next? the extended dance version of river or blue...pathetic- She is such a remarkable singer/songwriter since she retired a few years back Warner Bros. have done everything they can to abuse her catalog for profit. The themed retrospectives were actually a nice gesture but these remixes are horrific, If I could give this a minus 5 stars I would- Don't waste your money, If you new to joni's music download her album blue it is by far her best and a must have for every collection.


Born: November 7, 1943 in Fort Macleod, Alberta, Canada

Genre: Pop

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

No female artist better typified the singer/songwriter movement of the '70s than Joni Mitchell, though her public image as the serious, sensitive woman with a guitar shortchanged her abilities, ambitions, and accomplishments. Mitchell's gift for writing personal, folk-inspired songs about the thorny side of life and love was inarguable (particularly on albums like 1970's Ladies of the Canyon and 1971's Blue), but Mitchell also brought the same smarts and eloquence to glossy pop on her commercial...
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