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Blame It On My Youth

Sarah Partridge

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Album Review

Sarah Partridge's second recording as a leader is the equal of her first. She explores and uplifts 14 standards. Most of her interpretations are fairly conventional, although "Almost Like Being in Love" is surprisingly spacy and modernized, "You Turned the Tables on Me" is almost over the top, "This Can't Be Love" is slowed down and made soulful, and a Latin feel is given to "How Long Has This Been Going On." Frank Wess takes a fine tenor solo on "Every Day I Have the Blues," Benjamin May's bowed bass is a major asset to "Detour Ahead," and pianist Daniel May does a fine job of leading the accompanying trio on seven of the numbers. Sarah Partridge is very good at choosing notes, her phrasing is attractive, and her tone is appealing. This set is easily recommended to fans of lightly swinging jazz vocalists.

Blame It On My Youth, Sarah Partridge
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