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The Golden Dove

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Album Review

Like an indie rock Joan of Arc, Mary Timony continues to pursue her moody, mystical musical vision with The Golden Dove, her second proper solo album. Mountains, her debut, frustrated as many of Timony's fans as it fascinated; those looking for more of the crunchy, cryptic-yet-aggressive rock she perfected with Helium were left especially puzzled by the willful delicacy of her solo work. For better or worse, The Golden Dove essentially sounds like a more focused version of Mountains, with a fuller, richer production, courtesy of Timony, Al Weatherhead, and Sparklehorse's Mark Linkous. The Golden Dove is also more focused in its weirdness than Timony's previous album — it's presented as the work of a Ms. Charming Melodee, there's a cover of the 17th century tune "I Prithee Send Me Back My Heart," and the liner notes feature footnotes to some of Timony's lyrical allusions. And, as with Mountains, once you get past the album's airy-fairy conceits, The Golden Dove reveals itself as too intriguing to be easily dismissed. At its best, it juxtaposes Timony's precise, often precious musicianship with sharp-tongued insights: On "Blood Tree," she's a medieval Liz Phair, telling her lover "Go away/Leave me alone/Go chew on your dog's bone/The only boy I ever loved/turned into a Golden Dove/And moved to California." The disturbing imagery, and correspondingly lovely melodies, of eerie songs like "Dr. Cat," "14 Horses," and "The Owl's Escape" — which sounds like a demented '70s singer/songwriter piano ballad — suggest that Timony's feelings run so deep that they must be disguised with flowery words and music for her to express them. Even the album's most immediate moments, such as the sensual "Magic Power" and "Dryad and the Mule," still have a prickly distance that makes them hard to fully embrace. Ultimately, The Golden Dove puts the "independent" back in indie-rock: It's beautiful, weird, and difficult to love, and Timony probably wouldn't want it any other way.

Customer Reviews

Brilliant Indie Rock!

I stumbled across some demos of Mary Timony's work at her label's website, linked through Salon as providing free downloads. I appreciated at once her highly mystical, ironic lyrics. The aural landscape she weaves on 'The Golden Dove' is quite brilliant - it is one of the underappreciated releases of the year. There are many strong tracks on this album, including 'Look a Ghost in the Eye,' 'Blood Tree,' 'Dr. Cat,' 'White Room,' 'Magic Power,' 'Dryad and the Mule.' In short, it is a very strong work, and rates among Timony's best albums, either as a solo artist or with Helium.

Horrible

Overproduced and rehashed, it tries to live up to Mountains but fails to do so.

Biography

Born: 1970 in Washington D.C.

Genre: Rock

Years Active: '90s, '00s, '10s

Best known for fronting the Boston-based noise-pop trio Helium, singer/guitarist Mary Timony was born and raised in Washington, D.C., later studying viola at the city's Duke Ellington School of the Arts. During the early '90s she fronted Autoclave, a short-lived but highly regarded girl-punk quartet that issued a pair of EPs on Dischord before dissolving; after graduating from Boston University with a degree in English literature, in 1992 Timony replaced Mary Lou Lord in an early incarnation of Helium,...
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The Golden Dove, Mary Timony
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