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Reject All American

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Bikini Kill’s second—and final—album remains true to their indie/punk/Riot Grrrl roots, using less than 30 minutes to express every essential thought. Being lean, mean, and melodic was always the group’s plan of attack, but Reject All American, produced by John Goodmanson, finds a way to embrace the band’s improved-by-touring chops without losing the energy that professionalism suffocates. Kathleen Hanna is too much of a loose cannon to be calmed by promises of commercial success. It would erase fun from her life—and, despite her principles that can never be compromised, Hanna always sounds like she’s having a blast. Even the ballad “False Start” rocks.

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Formed: October, 1990 in Olympia, WA

Genre: Alternative

Years Active: '90s

The point band of the early-'90s riot grrrl movement, Olympia, Washington's Bikini Kill exploded onto the male-dominated indie rock scene by fusing the visceral power of punk with the impassioned ideals of feminism. Calling for "Revolution Girl Style Now," the group's fiercely polemical and anthemic music helped give rise to a newly empowered generation of women in rock, presaging the dominance female artists would enjoy throughout the decade. Bikini Kill formed in the late '80s at Olympia's liberal...
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