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Blossom Time At Ronnie Scott's

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iTunes Review

For all her accomplishments, Blossom Dearie was essentially a lounge singer — a songbird whose nest was the piano stool, whose nook was the nightclub. It comes as no surprise that Dearie called Blossom Time At Ronnie Scott’s her favorite of all her recordings. Recorded at the famed London nightclub during the singer’s maiden visit to England in 1966, these songs capture a relaxation and intimacy that is often missing from studio recordings, even for an artist as naturally relaxed and intimate as Blossom. While “On Broadway” and “Satin Doll” display her talent for sly reinvention, “I’m Hip” functions as a calling card for Dearie, whose coolness credentials are never in doubt. However, the core of the performance is “Mad About the Boy” and “Once Upon a Summertime,” songs that prove the depths through which Blossom connects to tales of love. While her voice echoes a teenage girl’s tender infatuation, she delivers her songs with a grown woman’s wisdom and depth of experience. These qualities are fully merged on “The Shadow of Your Smile,” the centerpiece performance of this sterling set.

Customer Reviews

Absolutely Essential Live Blossom

If you love Blossom and never seen her in person this album is a great introduction to her lovely presence. Her banter between songs is what makes Blossom such a wonderfull musician and her singing and piano playing on this live album are better than any of her studio efforts. This is pure Blossom Dearie and the best introduction anyone could hope for.

BLOSSOM at her jazz best

Im Hip , is a fun funny song , and it was so Blossom , and her best way . She was hip.

I'm Hip

one of the best songs ever written


Born: April 28, 1926 in East Durham, NY

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s

A distinctive, girlish voice, crisp, impeccable delivery, and an irrepressible sense of playful swing made Blossom Dearie one of the most enjoyable singers of the vocal era. Her warmth and sparkle ensured that she'd never treat standards as the well-worn songs they often appeared in less capable hands. And though her reputation was made on record with a string of excellent albums for Verve during the '50s, she remained a draw with Manhattan cabaret audiences long into the new millennium. Actually...
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