Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Live At the 1964 Monterey Jazz Festival by Thelonious Monk, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Live At the 1964 Monterey Jazz Festival

Open iTunes to preview, buy, and download music.

Album Review

Thelonious Monk played at the Monterey Jazz Festival in 1963 and created a buzz so strong he was invited back the following year. His one-hour set from 1964 is available here, featuring his quartet through the first forty minutes. Tenor saxophonist Charlie Rouse and drummer Ben Riley are joined by Steve Swallow on upright acoustic bass loaned from the Art Farmer group, whom he performed with at the event. Having studied Monk's music and played it with Steve Lacy, Swallow was ready to jump into the fray for his first-ever performance with Monk, having not even spoken with the pianist up to show time. He sounds very comfortable, swinging effortlessly, playing mostly quarter notes throughout the concert, but rarely straying off the path. These are typical Monk originals for the time period, and are solidly showcased, with Rouse doing the soloing, Monk traditionally comping, then laying out. Everything is ten-minutes long, portioned out between head, bridge and tail. "Rhythm-A-Ning" is taken at a bit quicker pace than usual, with Monk doing the urging on Rouse's solo, while Swallow and Riley are noticeably more locked in during the "Sweet Georgia Brown" variation "Bright Mississippi." The sound quality is a bit thin, and occasional distorted peaks are heard in the piano and tenor when they get too loud. The final two selections expand to a nonet directed by California icon Buddy Collette. His complementary horn charts are warm and effusive like gentle ocean waves at night, not challenging or pushy. Trumpeter Bobby Bryant's gets two solos, one quite brash and lengthy, and Collette's alto saxophone is also heard briefly in front of the band. Occasionally the horns drift breezily behind solos, and during the finale, "Straight, No Chaser," they punctuate and provocate in clipped phrases. Coming out of the melody they are noticeably slightly out of sync with Rouse. This is an intriguing document, by no means essential, but a unique aside of the many live recordings Monk would do during this historic year in his latter period career. ~ Michael G. Nastos, Rovi

Customer Reviews

At his!

It's all here. WOW!!


Born: October 10, 1917 in Rocky Mount, NC

Genre: Jazz

Years Active: '40s, '50s, '60s, '70s, '80s

The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music...
Full Bio