7 Songs, 55 Minutes


A depth of feeling comes through on the pianist’s subtly surprising take on a classic theme.

Mastered for iTunes


A depth of feeling comes through on the pianist’s subtly surprising take on a classic theme.

Mastered for iTunes

Ratings and Reviews

4.4 out of 5
12 Ratings
12 Ratings

Terrific album

This is an outstanding album! A good and enjoyable listen. Please don’t listen to these jazz music snobs below. As they would prefer to hear clashing of keys, for the sake of pseudo innovativeness, and music-intellectual jargon. Music is not supposed to be academic. It’s made to make you feel.


Mehldau's latest trio album

You know an artist has reached a certain elevated status when he is being compared to himself. That's happened to Mehldau. I like this album. But that may mean little to you. Give it a listen. The previews should be enough to settle the matter.


Left Disapointed in Comparison with Mehldau's Earlier Efforts

The news of Brad Mehldau's new trio recording "Blues and Ballads" piqued my interest, as he is one of my favorite jazz pianists; however, after listening to the album, I was left disapointed. While the tune selection is excellent, the performances on this album didn't grab my attention in the same way as some of the trio's earlier recordings. I admit that it may not be completely fair to compare a solo recording, "Ten Years Solo Live", with a trio recording, "Blues and Ballads", but I still maintain that the latter lacks the sophistication, depth, and complexity that the former offers in abundance. It's undeniable that there are some nice moments on "Blues and Ballads", though, overall, it doesn't hold a place among my favorite Mehldau recordings.

About Brad Mehldau Trio

One of the most acclaimed pianists of his generation, Brad Mehldau is a virtuoso performer with an ear for deeply nuanced, harmonically sophisticated acoustic jazz. While Mehldau is one of the more absorbing and thoughtful practitioners within that idiom, he is also receptive to the idea of using material from the rock era (Paul McCartney's "Blackbird," for example). Though Mehldau's training is primarily classical, his interest in jazz began early and he has subsequently utilized both forms throughout his career. This is as evident on his first Art of the Trio volume (of five) as it is on 2006's House on Hill and 2010's Day Is Done, on which both originals and covers of popular music standards — from Radiohead to Nick Drake to Paul Simon — reflect that his playing and compositional style owes as much to the 20th century classical impressionism of Claude Debussy as it does Bill Evans. While he has also delivered classically oriented recordings on his own and with singers Renee Fleming and Anna Sofie Von Otter, he has also issued cross-pollinated explorations of J.S. Bach's classical pieces on After Bach, while concurrently expanding the depth and breadth of the jazz piano tradition on Ode and Seymour Reads the Constitution.

He played in the Hall High School jazz band in West Hartford, Connecticut, winning the Berklee College of Music's Best All-Around Musician Award while still in his junior year of high school. He studied jazz at New York's New School for Social Research under Fred Hersch, Junior Mance, Kenny Werner, and Jimmy Cobb. Cobb soon hired him to play in his band, Cobb's Mob, and Mehldau also played and recorded with the Joshua Redman Quartet before forming his own trio in 1994 and recording his first Warner Bros. album, Introducing Brad Mehldau, in 1995. Art of the Trio, Vol. 1 followed in 1997, with the next two volumes in the series appearing over the following months. Two years later, Mehldau returned with Elegiac Cycle, as well as Art of the Trio, Vol. 4: Back at the Vanguard. Places followed in 2000, consisting of all-original compositions focusing on various cities, hence the title of the album.

Another Art of the Trio album came out in 2001, but the most significant release was Largo, which recorded Mehldau performing with other groups outside of his usual trio format. This was a big change from his previous work and offered new challenges as he adapted to several interesting lineup situations. Mehldau followed the genre-bending album with the standards-based Anything Goes and Live in Tokyo in 2004, with Day Is Done arriving the following year. In 2006, he released House on Hill as well as Love Sublime, the latter with soprano vocalist Renée Fleming on Nonesuch Records. Mehldau chose to work with his trio plus Pat Metheny on Quartet in 2007; he followed it up with the double-disc Live in 2008, which was recorded with his trio at the Village Vanguard.

In 2010, Mehldau emerged with the ambitious Highway Rider, a double disc of 15 new compositions produced by Jon Brion. He employed his trio as well as drummer Matt Chamberlain, saxophonist Joshua Redman, and a small chamber orchestra led by Dan Coleman. Mehldau arranged and orchestrated all the music. Also in 2010, Mehldau was honored by Carnegie Hall when he was named the first jazz artist to hold the Richard and Barbara Debs Composer's Chair for the 2010-2011 season. In 2011, Mehldau appeared on two live albums, his own Live in Marciac and the ECM date Live at Birdland (recorded in 2009) with saxophonist Lee Konitz, bassist Charlie Haden, and drummer Paul Motian. In September of that year, Nonesuch also released a studio album, Modern Music, a collaboration between Mehldau, pianist Kevin Hays, and composer/arranger Patrick Zimmerli. The music on this set comprised tunes by each of the principals, as well as compositions by Ornette Coleman, Steve Reich, and Philip Glass.

On December 6, 2011, while Mehldau was at the beginning of a world tour, Nonesuch issued a box set entitled Art of the Trio Recordings: 1996–2001. The set includes the five Art of the Trio albums — the last a double disc — that were originally issued on Warner Bros. The box also included a seventh disc of previously unreleased material from shows at the Village Vanguard in 1997, 1999, and 2001. A year later, the Brad Mehldau Trio released two studio albums: the all-original Ode and a companion collection of cover songs, Where Do You Start. The pianist then joined drummer/electronicist Mark Guiliana for the duo's collaborative 2014 effort, Mehliana: Taming the Dragon.

The box set 10 Years Solo Live appeared in 2015 and featured solo performances Mehldau had given in Europe in the preceding decade. He then returned to his tried-and-tested trio of Larry Grenadier and Jeff Ballard for 2016's Blues and Ballads, an album that featured their meticulous collective touch on compositions by Cole Porter, Charlie Parker, Lennon/McCartney, and others. Also in 2016, the pianist joined longtime associate saxophonist Joshua Redman for the Grammy-nominated duo album Nearness. The following year, he paired with progressive bluegrass star Chris Thile for the Nonesuch effort Chris Thile & Brad Mehldau, then explored composer J.S. Bach's Well-Tempered Clavier fugues with 2018's After Bach. A few short months later, he was back with another trio album, Seymour Reads the Constitution! His first trio date to include any original material since 2012's Ode, it featured three originals alongside his usual covers of pop songs, jazz tunes, and standards The pianist continued to stretch himself, playing in guitarist Wolfgang Muthspiel's trio along with Ambrose Akinmusire on the ECM date Where the River Goes. He closed the year with the archival duo offering Long Ago and Far Away with the late bassist Charlie Haden, recorded at the Enjoy Jazz Festival in Mannheim, Germany in 2007. ~ Richard S. Ginell & Thom Jurek, Rovi

Jacksonville, FL
August 23, 1970



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