14 Songs, 53 Minutes

EDITORS’ NOTES

Canadian folksinger and cultural icon Bruce Cockburn is an accomplished guitarist who has never let that get in the way of his political and private reflections and a great song. He teams up with with jazz violinist Jenny Scheinman and co-writes two tracks with Annabelle Chvostek, who appears on both. “Iris of the World” is a chilling portrait of world events and life in the 21st century, while “Gifts” is an old concert closer from 1968 that’s finally made its way to an album. “Comets of Kandahar” with Scheinman, is a great piece between guitar, violin and Cockburn’s crafty rhythm section. “Each One Lost” recalls his days in Afghanistan witnessing the Canadian Army and its toil. “Lois On the Autobahn” remembers his mother. Sadness and forlorn reflection remains Cockburn’s strong suit. However, the guitarwork on “Bohemian 3-Step” and “Ancestors” creates atmospheres that go beyond mere words.

EDITORS’ NOTES

Canadian folksinger and cultural icon Bruce Cockburn is an accomplished guitarist who has never let that get in the way of his political and private reflections and a great song. He teams up with with jazz violinist Jenny Scheinman and co-writes two tracks with Annabelle Chvostek, who appears on both. “Iris of the World” is a chilling portrait of world events and life in the 21st century, while “Gifts” is an old concert closer from 1968 that’s finally made its way to an album. “Comets of Kandahar” with Scheinman, is a great piece between guitar, violin and Cockburn’s crafty rhythm section. “Each One Lost” recalls his days in Afghanistan witnessing the Canadian Army and its toil. “Lois On the Autobahn” remembers his mother. Sadness and forlorn reflection remains Cockburn’s strong suit. However, the guitarwork on “Bohemian 3-Step” and “Ancestors” creates atmospheres that go beyond mere words.

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About Bruce Cockburn

Immensely popular in his native Canada, singer/songwriter Bruce Cockburn has found only cult success south of the border, in spite of a rich, varied body of work and considerable critical nods. He has won numerous Juno Awards and has kept the quality control on most of his albums at a high level. Cockburn's first decade of work (1970-1979) is largely literate, singer/songwriter folk-rock, often with a strong Christian tone and mystical, devotional lyrics. In 1979, Cockburn had his only major U.S. single, "Wondering Where the Lions Are," which peaked at number 21. The accompanying album, Dancing in the Dragon's Jaw, saw him augmenting his music with worldbeat rhythms, an approach he would continue over his next few albums. Cockburn toned down his Christian viewpoint for much of the 1980s, partially as a way of disconnecting himself from the American religious right, which he found antithetical to his own spiritual beliefs, and partially to concentrate on more humanitarian, political subject matter. In 1984, Cockburn produced an AOR hit, "If I Had a Rocket Launcher," whose accompanying video depicted conditions in war-torn Central America and gained a fair amount of MTV play.

Cockburn's later 1980s work took on a more streamlined rock sound, and his political agenda was weighted toward environmental concerns, as well as oppression. In the 1990s, Cockburn returned to a more introspective feel recalling his earlier work, but moved toward a more global and political perspective with the issue of the angry and polemical You've Never Seen Everything in 2003. Speechless from 2005 was an all-instrumental affair, showing off the artist's skill on guitar, while the next year's Life Short Call Now showed an artist at the prime of his musical maturity. A live set, Slice O Life: Bruce Cockburn Live Solo, arrived in 2009. After a brief tour, Cockburn returned to the studio in 2010, where he finished work on a new collection entitled Small Source of Comfort, which was released in early 2011; the set is an intimate set of songs and guitar-based instrumentals (including the live but never recorded Cockburn standard "The Gift"). The album was produced by Colin Linden and features violinist Jenny Scheinman. ~ Steve Huey

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