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The Amazing New Electronic Pop Sound of Jean Jacques Perrey

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Album Review

"What I have tried to do," wrote Perrey in the liner notes to this album, "is to bring the electronic sonorities to popular music." This he accomplished via the ondioline, Moog, magnetic tapes, electronic instruments, and other gizmos. He also wrote or co-wrote most of the material on this disc, which sounds like nothing so much as late-'60s instrumental "mood" music albums as refracted through a slightly more ambitious, electronic lens. It's really not something you can put on again and again, but it's kind of fun nonetheless. The arrangements have a kind of desperately trendy go-go-type charm, borrowing occasionally from familiar folk and pop melodies like "Frere Jacques" and "Georgy Girl."

Customer Reviews

Purchased Mary France

Catchy and re-playable like you wouldn't believe.
The ponies sent me. /)(^3^)(\


Need I say more?

Only to reviews lol

Lol there's only two reviews for this

I herd this song on pewdiepie's channel


Born: January 20, 1929 in France

Genre: Electronic

Years Active: '60s, '70s, '90s, '00s

Recording both as a solo artist and in collaboration with Gershon Kingsley, Jean-Jacques Perrey helped popularize electronic music with a series of albums in the 1960s that used Moog synthesizers, the Ondioline, and magnetic tape. His work was never intended to be part of the avant-garde, as Perrey himself cheerfully declared in his liner notes. His goal was to popularize electronic music by deploying it in happy, simple tunes and arrangements. That's why his music falls far closer to easy listening/space...
Full Bio
The Amazing New Electronic Pop Sound of Jean Jacques Perrey, Jean-Jacques Perrey
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