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The Jazz Effect - Charlie Christian

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Album Review

Aside from the name being misspelled on front and back cover, guitarist Charlie (not Charley) Christian was at the forefront of the bebop revolution. These ten tracks show why, and also gives rise to the notion of Christian being the first to wield an amplified electric guitar. The CD has a nice range of bop classics, three written by co-conspirator Dizzy Gillespie, two originals of Christian's, a lone standard, and a tribute to Jack Kerouac. This collection represents not only a smidgen of what Christian did before his career was tragically cut short, but opens a window into his grand contributions to jazz. Though only an appetizer and a bit flawed, it is tasty. ~ Michael G. Nastos, Rovi


Born: July 29, 1916 in Dallas, TX

Genre: Jazz

Years Active: '30s, '40s

It can be said without exaggeration that virtually every jazz guitarist that emerged during 1940-65 sounded like a relative of Charlie Christian. The first important electric guitarist, Christian played his instrument with the fluidity, confidence, and swing of a saxophonist. Although technically a swing stylist, his musical vocabulary was studied and emulated by the bop players, and when one listens to players ranging from Tiny Grimes, Barney Kessel, and Herb Ellis, to Wes Montgomery and George...
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The Jazz Effect - Charlie Christian, Charlie Christian
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