30 Songs, 58 Minutes

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Ratings and Reviews

4.7 out of 5

39 Ratings

39 Ratings

Weird, but good

Warrior942

I think this next album is freakey but good.If you are a true buckethed fan I recomend you buy this awesome album. Tracks like, "The Cobra's Head" and "The Battery Cage Crawls" are a demonstration of his skill.

......SEXY GOODNESS

T.Cheat

Up until a few days ago, I thought this album was a pile of slunk. But once I gave it a chance, I realized how ridiculously sexy it is. Even the creepy acoustic pieces are great. Tracks like John Merrick, Frozen Brains, and Machete Mirage, (Not machoto mirago, itunes!) are the highlights of this wedge. Slaughter Zone Exit takes scariniess to a whole new level, it also takes creepiness, awesomeness, ridiculousness, disgustingness, and trippin' ballsness to a whole new level. Great album.

The GREATEST buckethead abum ever!

Son Of Northern Darkness 347

Buckethead is amazing and this is my favorite album by him! I love his complete and utter weirdness and this is his best though not weirdest work! id probably say his wierdest work is on the cuckoo clocks from hell album!

About Buckethead

Buckethead is one of the most bizarre and enigmatic figures in American underground and experimental music since Parliament-Funkadelic birthed their bevy of cosmic characters in the mid-'70s. An accomplished multi-instrumentalist best known for his virtuosic command of the electric guitar, Buckethead is one of the instrument's most recognizable contemporary innovators, his rapid-fire riffing, near-robotic fretwork, and idiosyncratic lead lines combining elements of Yngwie Malmsteen, Adrian Belew, Slayer's Kerry King, P-Funk's Eddie Hazel, and avant-improv artist John Zorn's Scud-attack sax abuse. His first group, the San Francisco-based metal-funk combine the Deli Creeps, were a regional success, but disbanded before they could release anything. Buckethead's solo career has been more productive, thanks mostly to the motivation of Zorn and Bill Laswell, the latter of whom Buckethead has also recorded and toured with in Praxis. Laswell has also produced a number of Buckethead's solo albums (including Dreamatorium and Day of the Robot) and included him on more than a dozen one-off recordings with the likes of Hakim Bey, Bootsy Collins, Anton Fier, Jonas Hellborg, and Bernie Worrell. In addition to releases including 1998's Colma, Buckethead has also contributed soundtrack material to such films as Last Action Hero and Street Fighter. Buckethead returned in 1999 with Monsters and Robots, after which he joined the short-lived re-formation of Guns N' Roses. A steady stream of releases followed into the 21st century ranging from the contemplative Electric Tears to a more electronica/rock hybrid, and collaborations with San Francisco's underground hip-hop scene. In the following decade, he averaged a few releases a year, teaming up with dozens of artists, including Les Claypool, Iggy Pop, and Mike Patton, and in 2008, he collaborated with actor/musician Viggo Mortensen for Pandemonium from American. A dizzying string of releases would follow before the actor and the enigmatic guitarist worked together again in 2011 on Reunion. The following year, Buckethead released Electric Sea, a follow-up to his 2002 album, Electric Tears. ~ Sean Cooper

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