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F******t

Oxbow

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Album Review

Oxbow invades your space. This six-song CD, originally released in 1990, begins with the sound of a record playing — vinyl crackle and some gentle, looping music. After a minute or so, though, the band roars to life like they came in and plugged in their amps while you were listening to something else, and now your attention is 100-percent focused on them, for good or ill. Frontman Eugene Robinson's voice doesn't match his large, muscular, physical presence — he's not a growler, but one who howls in a high-pitched, anguished voice somewhere between Robert Plant and Birthday Party-era Nick Cave. The lyrics are almost entirely indecipherable on this album (they become clearer on later Oxbow discs), and his voice is frequently swallowed by the physical impact of the band, which surges and ebbs like the ocean, tearing into noisy blues riffs like a lion ripping hunks of meat from a gazelle. The mix is crystal-clear, each instrument occupying its own territory within the sonic landscape; the bass and drums are as important as the guitars or the vocals, and the men of Oxbow recognize this. Occasional extra sounds crop up — female vocals, strings, snippets of conversation, background noise sampled and looped — but the foundation and core of their music is guitars, bass, and drums. Sometimes acoustic, sometimes electric, but Niko Wenner is a master of sculpting noise and tone, sometimes shadowing Robinson, other times drowning him out. This is a fierce, rigorous album that challenges almost every preconception rock listeners might have.

Customer Reviews

Funny thing about NOISE rock...

It's noisy, loud, and not traditional at all... Oxbow is a classic noise rock band, their up there with Jesus Lizard and Butthole Surfers. This is a essential noise rock album, don't waste your time if your some classic rock elitist or some traditional kind of person...

Garbage

Completely pointless.

Biography

Genre: Rock

Years Active: '80s, '90s, '00s

The provocative San Francisco-based quartet Oxbow formed in the late '80s around vocalist Eugene Robinson, guitarist Niko Wenner, bassist Dan Adams, and drummer Greg Davis. Combining the squall of bands like the Birthday Party with elements of free jazz and musique concrète, the group debuted in 1990 with F******t, followed in 1992 by King of the Jews. The menacing The Balls in the Great Meat Grinder Collection also appeared in 1992, and after 1995's Steve Albini-produced Let Me Be a Woman Oxbow...
Full Bio
F******t, Oxbow
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