Burgh Island - EP by Ben Howard on Apple Music

4 Songs

EDITORS’ NOTES

Much like Slowdive and Mojave 3 frontman Neil Halstead, Ben Howard is a surfing folk singer/songwriter who lives in the English surf capital of Newquay, Cornwall. But where Halstead’s whispery inflections have been compared to Nick Drake's, Howard opens his Burgh Island singing like an unstrained Conor Oberst over nimble acoustic arpeggios that recall early-'70s John Martyn. “Esmerelda” sets a tone that’s as dark and foreboding as the cover art, as Howard croons elongated vowels over melancholic minor chords and a background pianist who fills the empty space with deep pulsating notes. The following “Oats in the Water” gets fleshed out with a rhythm section and the sublime warble of an old grinding organ before the song unfolds and rocks out toward the end with howling guitar distortion that fans of Neil Young & Crazy Horse should appreciate. Echoes of early-'90s shoegazing hover like a thick coastal fog over the beginning of “To Be Alone.” Howard seems most comfortable when singing harmonies over electric guitars, as heard in the eight-minute closer, “Burgh Island.”

EDITORS’ NOTES

Much like Slowdive and Mojave 3 frontman Neil Halstead, Ben Howard is a surfing folk singer/songwriter who lives in the English surf capital of Newquay, Cornwall. But where Halstead’s whispery inflections have been compared to Nick Drake's, Howard opens his Burgh Island singing like an unstrained Conor Oberst over nimble acoustic arpeggios that recall early-'70s John Martyn. “Esmerelda” sets a tone that’s as dark and foreboding as the cover art, as Howard croons elongated vowels over melancholic minor chords and a background pianist who fills the empty space with deep pulsating notes. The following “Oats in the Water” gets fleshed out with a rhythm section and the sublime warble of an old grinding organ before the song unfolds and rocks out toward the end with howling guitar distortion that fans of Neil Young & Crazy Horse should appreciate. Echoes of early-'90s shoegazing hover like a thick coastal fog over the beginning of “To Be Alone.” Howard seems most comfortable when singing harmonies over electric guitars, as heard in the eight-minute closer, “Burgh Island.”

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4:59
5:37
8:13

About Ben Howard

Before launching his career as an acoustic singer/songwriter, Ben Howard grew up in South Devon, England, where his mother’s collection of folk records helped instill a love for Joni Mitchell, Donovan, and Richie Havens. Howard also developed an interest in surfing, catching his first wave at the age of 11 and heading to the beach whenever he wasn’t busy writing music in the folksy style of his influences. While pursuing a journalism degree years later, he briefly moved to Newquay, the surf capital of the U.K., where he received class credit for working at a surfing magazine. Howard dropped out of school six months shy of graduation, though, convinced by the surf community’s enthusiastic response to his music -- which, despite its acoustic folk sound and beachy vibe, sounded more like John Martyn than Jack Johnson -- that he should ditch the newsroom and focus on songwriting.

The surf community proved to be a big stepping stone for Howard, who found himself playing to packed audiences long before his music spread beyond the U.K. beaches. He continued developing his style, too, adding a percussive element to his playing by learning to rap his knuckles across the guitar body between strums. A European tour with Xavier Rudd helped him build a wider audience in late 2008, as did the release of EPs like These Waters and Old Pine. By the time Howard finished recording his full-length debut, Every Kingdom, in autumn 2011, he’d signed a major-label deal with Island Records (the same label that once released music by John Martyn) and graduated to headliner status, thanks to growing fan bases in England, Germany, France, and Holland. Every Kingdom performed very well in the U.K., where it wound up getting nominated for the Mercury Prize and helped him win BRIT Awards for British Breakthrough Act and British Solo Male Artist; it was certified Platinum in that country. For his anticipated sophomore set, I Forget Where We Were, Howard went somewhat electric and was rewarded with strong reviews and sales; it debuted at number one on the U.K. charts. ~ Andrew Leahey

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