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4:22 Album Only

Customer Reviews

4.5 out of 5

257 Ratings

Rooney sticks with the script and delivers!


Few bands can produce albums with the replay value that Rooney's first and second album here provide. The band itself shares a strong influence from great bands like The Beatles and Beach Boys, but the thing I love the most about the Rooney is their ability to incorporate musical stylings from the past four decades... from classic rock, blues and progressive to 80's synth, alternative rock and surf soul. I highly recommend this album to anyone.

Incredible second album


Rooney's first album is a perfect album. Every song on their debut is a gem, and I am beginning to think that their second album is almost the same. After four years of silence I was becoming worried that Rooney would not make anything else, but when their single came out I was hopeful that their second album would be very good, and I was right. This album sounds different than their first in that a good deal of the new songs sound more early 80's than their usual mid to late 70's powerpop. Are You Afraid? reminisces ELO and I Should've Been After You sounds like a forgotten Queen song, while others (When Did Your Heart Go Missing?, Paralyzed, All In Your Head, and Believe In Me) imitate the feel of 80's pop rock. The remaining tracks, save Help Me Find My Way (a great song, I thought of Keane when I heard this), including Calling the World, Tell Me Soon, Don't Come Around Again and Love Me or Leave Me come back to the sound of their first album, which are all really good songs. I enjoyed the album thoroughly and leaves me wanting to hear their third, which I do hope does not take another four years.

About Rooney

California rock band Rooney emerged in 2002, making their live debut warming up for Phantom Planet, a more experienced L.A.-based group who shared similar classic pop influences (ELO, the Beach Boys) along with a family member. The younger brother of actor and former Phantom Planet drummer Jason Schwartzman, Rooney maestro Robert Schwartzman was also a son of Hollywood who had dabbled in acting, but by the early 2000s had turned his full attention to crafting pleasantly retro guitar pop. By the year's end, Schwartzman and his bandmates Taylor Locke (guitar), Matthew Winter (bass), Louie Stephens (keyboards), and Ned Brower (drums), had inked a major-label deal with Geffen/Interscope.

Although Rooney had flirted with enlisting Ric Ocasek to produce, they eventually opted to rehire Keith Forsey, the producer responsible for the the strong batch of demos that had gotten them signed in the first place. Rooney's sunny, self-titled debut arrived in 2003 and its sales spiked considerably the following year when the band appeared on Fox's popular teen drama The O.C. (the first in a long line of bands to do so). Later that year, the concert DVD Spit and Sweat was released, highlighting the group's transformation from teenage musicians into a road-seasoned outfit. Rooney began recording their follow-up later that year with producer Tony Hoffer, but the album was eventually scrapped despite several songs being posted on the band's MySpace page. A second attempt to record their sophomore album was made in fall 2005, this time with Howard Benson in the producer's seat. Although it was slated for a 2006 release, this version too was scrapped as friction between the band and its label increased.

Following a 2006 tour with Kelly Clarkson, Rooney returned to the studio with producer John Fields for a third -- and successful -- attempt at recording their second album. The slightly darker, but no less catchy Calling the World was released in summer 2007 and debuted on the Billboard charts at number 42. By this point, though, the band's relationship with Geffen had suffered too much damage and Rooney eventually left the label's roster in 2009. That same year, the band celebrated their independent status by self-releasing an EP, Wild One, and launching a brief tour. They didn't remain independent for long, though, eventually partnering with Warner Bros. for the release of their third full-length album, the self-produced Eureka, in June 2010. Although bassist Matt Winter played on the record, he left the band's lineup several months before its release, with Brandon Schwartzel climbing aboard in his place.

By the end of 2011, support for the record had mostly ceased and Rooney essentially entered into a lengthy hiatus. Schwartzman remained busy with a number of projects, including two solo records and a pair of film scores. Following years of silence regarding his band's fate, Schwartzman revealed in early 2016 that he had completed a new Rooney album entirely on his own. Released in May 2016, Washed Away was the fourth LP under the Rooney banner, and was supported on the road by a completely retooled lineup. In June 2017, the band issued the single "Second Chances" in anticipation of the release of the El Cortez EP, which arrived in July of that year. ~ Timothy Monger & Andrew Leahey

    Los Angeles, CA

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