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Reseña de álbum

This album, first issued by ABC-Paramount, marked Cuban percussionist Candido Camero's recording debut as a leader, and while he obviously has a prominent role, these 1956 sessions represent far more than a vehicle for his conga and bongo playing. The band includes the always inspired tenor saxophonist Al Cohn, pianist Dick Katz, bassist Whitey Mitchell, guitarist Joe Puma, and drummer Ted Sommer. The selections include gems from the swing era, show tunes, and originals, all of which swing like mad. The group is at its very best in the driving "Stompin' at the Savoy," due to its inspired solos and the tradeoffs between Cohn and the leader (on bongos). Puma contributed the easygoing "Candi Bar," while Sommer's "Candido's Camera" is a snappy vehicle showcasing Candido and Al Cohn. One can easily imagine enjoying the lively interpretation of "Perdido" in a Cuban nightclub. The leader's march-like tempo introducing "Poinciana" suggests Ravel's Bolero before he relaxes his cadence into a more swinging setting. A romp through "Cheek to Cheek" provides a satisfying finale to a very enjoyable CD. Finally reissued in the summer of 2004, this remastered Verve limited edition should be considered essential for fans of Latin jazz.

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Biografía

Nacido/a: New York, NY, 24 de noviembre de 1925

Género: Jazz

Años de actividad: '40s, '50s, '60s, '70s, '80s

An excellent tenor saxophonist and a superior arranger/composer, Al Cohn was greatly admired by his fellow musicians. Early gigs included associations with Joe Marsala (1943), Georgie Auld, Boyd Raeburn (1946), Alvino Rey, and Buddy Rich (1947). But it was when he replaced Herbie Steward as one of the "Four Brothers" with Woody Herman's Second Herd (1948-1949) that Cohn began to make a strong impression. He was actually overshadowed by Stan Getz and Zoot Sims during this period but, unlike the other...
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Candido, Al Cohn
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  • $5.99
  • Géneros: Jazz, Música, Jazz latino
  • Publicado: 1956

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