10 Songs, 1 Hour 2 Minutes


Ratings and Reviews

4.8 out of 5
9 Ratings
9 Ratings
paul_guyet ,

A review of Alessandro Cortini's "Forse 1"

Forse 1 is the aural tour of a huge, lost planet; one replete with mountains and oceans and caverns, each with their own sonic resonance. While nothing here has what would traditionally be referred to as a climax, neither does the sky nor the sea. The creator, Alessandro Cortini, is best known for his work as a multi-instrumentalist with Nine Inch Nails and How to destroy angels as well as the sole member of the electronic project SONOIO. Forse 1 is the first in a series of three album which Cortini composed and created using only the Buchla Music Easel.

The album opens with "Basta", a massive crystal cathedral which slowly fills with solemn light, so bright that it blinds. While the evolution here is subtle, there's beauty in its depths, a reward for the patient and perceptive listener. One can almost hear breathing in the empty spaces...
From the blinding light, we are plunged, blinking, into the cool gloom of "Carta", as expansive as it is subterranean, deep but wide. Even though it's currently the height of summer, one can't help but feel a chill while listening to this.
The journey continues, making stops at the cold, glowing nightscape of "Festa", the dark, restless, troubled shores of "Gira", where something is using that darkness as a shield, hiding just out of view, and at "Resta", which sounds the most like a reference to one of Cortini's SONOIO tracks.
The two tracks that stand out the furthest are "Nebbia" (galactic in scope and regal in tone, a light in the frozen darkness, much like Cortini's music in general) and "Gloria" (the warmest and most nostalgic piece here. Like reliving a memory as it dissolves around you, until you're left standing in the staticy echo of a beautiful day, a shadow with color, tint and hue).
The album ends when, while exploring the lunar plains of "Sera", the moon in question becomes sentient then either eats you or explodes.
Or both.

Cortini's inherent warmth is present throughout the album, quite an accomplishment given the tools with which he has to work.
The BME has that unique the-future-envisioned-by-the-past vibe to it, conveying, at the same time, a sound both dated and futuristic, add that specific sound to Cortini's uncanny ability for taking something buzzing, cold and lifeless, like the BME, and making it sound comforting, optimistic and nostalgic, and you have something strange and wonderful; something big and sweeping and alien and pointy...like being embraced by a robot.
Forse 1 is more than just Alessandro Cortini expertly wielding the Buchla Music Easel, it's him giving it a heartbeat and a soul.

Roderyck ,

it's no SONOIO but...

...more like a soundtrack. Forse is more controlled and subdued than his 2 previous SONOIO releases. There are no vocals and the beats aren't as poppy, but it is a very interesting listen. It has layers of textures and noise that ebb throughout.

It reminds me a little of NIN's Ghosts in that it has an experimental feel to it; making music out of sound and sound out of music. Very nice for those who like this kind of thing.

About Alessandro Cortini

Known for his various solo projects such as SONOIO, modwheelmood, and blindoldfreak as well as his extensive studio and live contributions to American electronic rock outfit Nine Inch Nails, Alessandro Cortini is an Italian musician, songwriter, and composer. Born in Bologna and raised in Forlì, Cortini developed an interest in music as early as six years old when he began recording songs for his grandparents on a small boombox. From there, he became interested in composition, and during early adulthood he relocated to the United States to study guitar at Musicians Institute in California. After graduation, he landed work as a touring guitarist for Washington-based rock band the Mayfield Four between 2001 and 2002.

Upon returning to California after the tour, he suddenly developed a burgeoning interest in keys and modular synths. Initially delving into his fascination by experimenting with the Steinberg Model E plug-in and composing parts in the Logic DAW system, he took things up a notch when he brought his cousin's MiniMoog back to the U.S. after a visit back home. Noticing a distinctly magnetic difference between emulative software and modular hardware, Cortini began a journey into teaching himself as much as he could about the world of synthesizers. He took a few more steps when he decided to attend auditions for Nine Inch Nails. Fitting in instantly, he went on to tour with NIN on their 2005 Live: With Teeth tour, Performance 2007, and their 2008 Lights in the Sky Over North/South America tour. In the fall of 2006, he acted as special advisor to some of the students at Musicians Institute's Recording Artist program.

At the start of 2009, Cortini briefly left NIN to pursue a number of his own projects, one of which was alongside Swedish musician Pelle Hillström (formerly of Abandoned Pools) for the alt-rock/electronica project modwheelmood, founded in 1998. Named after the modulation wheel on the left side of keyboards, the project independently released five EPs (2003's ?, 2006's Enemies & Immigrants, and the three Pearls to Pigs volumes released in 2007 and 2008, with an extensive three-volume set released in 2009). Following the Pearls to Pigs set, modwheelmood went on to tour the West Coast of the U.S. Modwheelmood also provided remixes for the Ladytron track "Ghosts" and Nine Inch Nails' "The Great Destroyer." The only effort put out by Cortini's erstwhile blindoldfreak project, 1 was also released in 2009. Unlike the conventional electropop song structures and melody-laden choruses of his other endeavors, blindoldfreak was more concerned with the atmosphere and mood captured at any given time when experimenting with various synthesizer units and looping techniques. Cortini went on to tour briefly with the English rock outfit Muse in 2009 as a temporary replacement for the band's usual touring bassist, Morgan Nicholls. He also earned production credits on the Velocifero and Gravity the Seducer albums by the Liverpool-based synth pop act Ladytron.

Cortini created the solo project SONOIO in 2010. Like modwheelmood, the project was purely electronic, heavily focused on harmony and melody within synthesis. Cortini put out two full-length efforts under the SONOIO moniker: 2010's Blue and 2011's Red (with companion remix albums in the same years). The project was a definitive example of Cortini's talents, encapsulating his production techniques and his passion for modular synthesis, particularly that of the Buchla Music Easel. He also joined the touring lineup for How to Destroy Angels (a post-industrial group featuring Mariqueen Maandig Reznor, Trent Reznor, Atticus Ross, and Nine Inch Nails art director Rob Sheridan) in 2010. A number of years prior, Cortini had returned to the Nine Inch Nails fold, both in the studio and the live arena, providing heavy contributions to the 2008's Ghosts I-IV and The Slip, as well as 2013's Hesitation Marks (for which he received a co-writing credit on the intro to "The Eater of Dreams" alongside Reznor). Cortini went out on tour with NIN to promote all of these releases.

In 2013, the multi-instrumentalist began writing a number of pieces that would subsequently be issued under his own name, some through U.S. indie label Important Records and Dominick Fernow's (aka Prurient) Hospital Productions. Most of the material on these releases would be written while on tour, with Cortini describing 2013's Forse 1 and Forse 2 as compositions born out of experimenting on the Buchla, and 2014's Sonno as lullabies written for himself while on the road. In 2015 he put out Risveglio -- his second release for Hospital Productions -- with the vast majority written with the Roland MC-202 monophonic synth/sequencer and the Roland TB-303 bass synth. In early 2017, it was announced that Cortini would once again be touring with Nine Inch Nails for the 2017 summer performance season. During the year, Cortini released a collaborative album with Japanese noise legend Merzbow, a 7" with experimental techno producer Daniel Avery, and the solo full-length Avanti. ~ Rob Wacey

Bologna, Italy
May 24, 1976