37 Songs, 2 Hours 7 Minutes

EDITORS’ NOTES

The foundation of Kris Kristofferson’s reputation as a songwriter is comprised of material from his first two albums, which fills up the first disc of this collection. During that time he injected an audaciously erudite sensibility into the candid, small-town storytelling of country music. Even now, it’s hard not to be stunned by the craft of “Sunday Mornin’ Comin’ Down,” “Help Me Make It Through the Night” and “Me and Bobby McGee.” In contrast, the second disc spans an astonishing 14 years, and while it may be less consistent, it's more fun. In addition to essential tracks like “Border Lord,” “Why Me” and “Nobody Wins,” the disc includes several high quality works that slipped through the cracks, among them “The Bigger the Fool, the Harder the Fall,” “Shandy” and “Please Don’t Tell Me How the Story Ends.” Due to licensing disagreements, there are no selections from Kristofferson’s two brilliant “comeback” albums 1995’s A Moment of Forever and 2003’s This Old Road. Nonetheless, The Essential Kris Kristofferson forms a lasting portrait of a songwriter whose art was connected yet deeply separated from the ‘60s generation of singer-songwriters.

EDITORS’ NOTES

The foundation of Kris Kristofferson’s reputation as a songwriter is comprised of material from his first two albums, which fills up the first disc of this collection. During that time he injected an audaciously erudite sensibility into the candid, small-town storytelling of country music. Even now, it’s hard not to be stunned by the craft of “Sunday Mornin’ Comin’ Down,” “Help Me Make It Through the Night” and “Me and Bobby McGee.” In contrast, the second disc spans an astonishing 14 years, and while it may be less consistent, it's more fun. In addition to essential tracks like “Border Lord,” “Why Me” and “Nobody Wins,” the disc includes several high quality works that slipped through the cracks, among them “The Bigger the Fool, the Harder the Fall,” “Shandy” and “Please Don’t Tell Me How the Story Ends.” Due to licensing disagreements, there are no selections from Kristofferson’s two brilliant “comeback” albums 1995’s A Moment of Forever and 2003’s This Old Road. Nonetheless, The Essential Kris Kristofferson forms a lasting portrait of a songwriter whose art was connected yet deeply separated from the ‘60s generation of singer-songwriters.

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Ratings and Reviews

4.5 out of 5

30 Ratings

30 Ratings

The Essentials

438039

A great album that I wish there was a price to buy. I guess I have to go to Amazon unless I get a reply from this site.....

Kris

Bravo Foxtrot

This album is one of my favorites. I listen to all music, but one artist that I can always rely on no matter what mood Im in is Kris. "The Best of All Possible Worlds" has to be one of the best songs Ive ever heard. Like many of his songs its a story of something that may or may not have happened to him in his life. I laugh every time I hear it. Buy this album, you wont regret it.

Kris Kristofferson All His Best

MemeSheryl8

I hope I got the album title correct
I have been following Kris' career for most of it, and this album is an Excellent!!! compilation and credit to him. Buy it, I believe you won't be sorry!

About Kris Kristofferson

Even before he became a leading man in the '70s, Kris Kristofferson had already lived a life worthy of a movie. After rising to the rank of captain, the Brownsville, Texas-born Kristofferson left the army life behind in the mid-'60s to break into Nashville’s song factory, eventually working his way into Johnny Cash’s good graces while serving as a janitor at Columbia Recording Studios. But while Cash would turn the aspiring songwriter’s “Sunday Mornin' Comin’ Down” into a countrypolitan classic, Kristofferson’s crafty blend of down-and-out realism and sly, dark humor would resonate far beyond Music City: Janis Joplin ushered his hitchhiker saga “Me and Bobby McGee” into the rock canon; Gladys Knight & The Pips melted down the folksy ballad “Help Me Make It Through the Night” into smoldering, orchestral soul. And on his own '70s solo releases, Kristofferson’s unvarnished, plainspoken vocals proved every bit as compelling as his lived-in narratives, whether shining a harsh light on the booze-stenched starving-artist existence with “To Beat the Devil” or exquisitely reminiscing about an old flame on “Jody and the Kid” with a subtle grace worthy of Leonard Cohen. Kristofferson’s unwavering affinity for the raw and the real would earn him entry into the ultimate outlaw-country supergroup, the Highwaymen, where he stood alongside Cash, Waylon Jennings, and Willie Nelson as gatekeepers of old-school authenticity in a genre that was becoming increasingly commercialized.

HOMETOWN
Brownsville, TX
GENRE
Country
BORN
June 22, 1936

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