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You Can't Do That On Stage Anymore, Vol. 6 (Live)

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Album Review

The last volume of the series You Can't Do That on Stage Anymore is one of the strongest, especially for those who prefer Frank Zappa's sex-oriented songs. There is not much complex material or instrumental pieces in this collection, but catchy humorous songs abound, along with more of that stage craziness the series tried to capture. Live incarnations of Zappa's band from 1970 up to 1988 are represented (the original Mothers had a whole disc devoted to them on Vol. 5). Most of disc one revolves around sex, starting with "The M.O.I. Anti-Smut Loyalty Oath," where the 1970 Mothers solemnly swear not to show their private parts on stage. Disc two is more varied, but tracks like "Catholic Girls" and "Crew Slut" make it fit right in. "The Poodle Lecture" and "Lonely Person Devices" reveal important Conceptual Continuity Clues. The "Camarillo Brillo"/"Muffin Man" medley provides a highlight, as does the frantic rendition of "Dirty Love." Lisa Popeil, who sang the 1982 track "Teen-Age Prostitute," makes her only other Zappa-related appearance in "Lisa's Life Story." Most of all, the music from the movie 200 Motels — still unavailable on CD when this album came out — was given special attention. Even today, the renditions of "200 Motels Finale" and "Shove It Right In" stand out as important tracks. This volume is less focused on the die-hard fan craving rare material. It will appeal to a wider range of casual listeners, while portraying with much fidelity the atmosphere of Zappa's concerts. ~ François Couture, Rovi

Biography

Born: December 21, 1940 in Baltimore, MD

Genre: Rock

Years Active: '50s, '60s, '70s, '80s, '90s

Composer, guitarist, singer, and bandleader Frank Zappa was a singular musical figure during a performing and recording career that lasted from the 1960s to the '90s. His disparate influences included doo wop music and avant-garde classical music; although he led groups that could be called rock & roll bands for much of his career, he used them to create a hybrid style that bordered on jazz and complicated, modern serious music, sometimes inducing orchestras to play along. As if his music were...
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