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Customer Reviews


Linkin Park brought me here. ( {*****} )

I already know...

If the anticipation doesn't get to me first, I might die from overexposure to pure awesomeness when this album drops.

Love what you guys have released so far, and I'm looking foreward to hearing the rest. You all are truely musical geniuses, and there isn's day that goes by without your music inspiring me.


Mixed emotions, but thankful

I'm a die hard Mutemath fan since 2006, multiple live shows, etc. Vitals was pretty good, I miss the more organic rock tunes like Chaos and Reset, but new synth grooves like Stratosphere are a lot of fun too. As for as Changes, a few of the remixes are memorable but most were not. The added vocals to the Vitals mix are great, and Light Up is outstanding. My biggest disappointment was the Stratosphere remix by Darren. Certainly the opening synth arpeggios were a huge factor in the original song's success, seeming as how they opened up the tour shows with it. It certainly was game changing for me. But with the remix they are totally gone? We wanted MORE of those, not less. Of course I don't speak for all the fans, but that was my biggest let down. In summary, Mutemath could put out just about anything and I would be the guy buying it no matter what - anything to keep them going and help support. But in hindsight this album left me on the fence. Still, it's like Christmas that we'd be so lucky to get another album so close to the last release. The last lapse was too long! Here's hoping for a fun Stratosphere instrumental remix with more of those arpeggios and drums. Thanks guys keep rocking!


Formed: 2001 in New Orleans, LA

Genre: Alternative

Years Active: '00s, '10s

Taking cues from several decades of alternative rock, MUTEMATH (also known as Mute Math and MuteMath) fuse together New Order's synth-dance epics, the Stone Roses' shambling shuffle, Radiohead's chilliness, Air's ambient pop, and the booming vocals of mainstream pop/rock. Singer Paul Meany, formerly of the Christian rock group Earthsuit, was working in New Orleans when he began a long-distance musical correspondence with drummer/programmer Darren King, who was based in Springfield, Missouri. The...
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