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Supreme Clientele

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Reseña de álbum

Most of the members of rap's Roman Empire, the Wu-Tang Clan, experienced sophomore slumps with their second solo releases, whether artistically or commercially (usually both). The second offerings from Method Man, Ol' Dirty Bastard, GZA, and Raekwon featured some of the old Wu magic, but not enough to warrant a claim to their once total mastery of the rap game. Just as the Wu empire appeared to be crumbling, along came the second installment from the Clan's spitfire element, Ghostface Killah (aka Tony Starks, aka Ironman). Every bit as good as his first release, Supreme Clientele proves Ghost's worthiness of the Ironman moniker by deftly overcoming trendiness to produce an authentic sound in hip-hop's age of bland parity. Some of the Wu's slump could be contributed to Wu-Abbott's (aka RZA) relative sabbatical. This album has RZA's stamp all over it, but the guru himself only provides three tracks. On this effort, the Wu-Pupil producers at times seem to outdo their teacher. RZA's best composition is the piano-driven, double-entendre-laced childhood retrospective "Child's Play." But of the many standout cuts, it's the slew of disciple producers paying homage to the Wu legacy that truly makes this album fresh-sounding: "Apollo Kids" (Hassan), "Malcolm" (Choo the Specialist), "Saturday Nite" (Carlos "Six July" Broady), "One" (JuJu of the Beatnuts), "Cherchez la Ghost" (Carlos Bess), "Wu Banga 101" (Allah Mathematics). While the album is complete and characteristically Wu-sounding, each track is distinctive lyrically, thematically, and sonically. Ghostface's Supreme Clientele is a step toward the Wu-Tang Clan's ascent from the ashes of their fallen kingdom. The once slumbering Wu-Tang strikes again. ~ M.F. DiBella, Rovi

Reseñas de usuarios


I choose this as Ghost's best because it was mainly him on the entire album. I still loved Ironman, and I'm sure a lot of you do too. It basically depends on whether you like the old school solo albums that were basically Wu-Tang albums; with the artist on the cover featured a little more than the other members, or if you like the later ones where the artist on the cover is the main MC throughout the album. Ghost has to be the most consistent lyricist in the Wu, along with Meth & INS. Take a listen to this entire album, but if you're not gonna get the whole thing, definitely get: One, Buck 50, Mighty Healthy, Stay True, We Made It, Malcolm, Child's Play (The beat starts off kind of soft, but switches in the middle to a pretty tight bass line), Wu Banga 101, & GHOST DEINI !!!! Ghost Deini is easily my favorite track on the album, just straight-forward, consistent Tony Starks. The sh**!


Classic my favorite song on the cd is mighty healthy

one of the best

ghost is amazing


Nacido(a): 09 de mayo de 1970 en Staten Island, NY

Género: Hip-Hop/Rap

Años de actividad: '90s, '00s, '10s

Como integrante del influyente colectivo de rap The Wu-Tang Clan, Ghostface Killah ya era impactante antes de editar su álbum debut, Ironman, a fines de 1996. Como todos los integrantes de The Wu-Tang Clan, el rapero usó al grupo como plataforma de lanzamiento para una carrera solista, con la gran ayuda de otros integrantes del Clan, particularmente el productor RZA. Ironman debutó en el número dos de las listas de pop cuando se editó. Supreme Clientele (2000) fue un éxito, pero Bulletproof Wallets...
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Supreme Clientele, Ghostface Killah
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