Christian aTunde Adjuah by Christian Scott aTunde Adjuah on Apple Music

23 Songs

EDITORS’ NOTES

Trumpeter Christian Scott has emerged as not only a leading trumpeter of his generation but a composer and bandleader as well. The New Orleans native had a hot start with his debut album, Rewind That, earning a GRAMMY® nomination. He’s been a special guest of Radiohead’s Thom Yorke (whose “The Eraser” he covered) and played in bassist-producer Marcus Miller’s ‘80s Miles Davis tribute band. For his fourth studio album, the newly rechristened Christian Scott aTunde Adjuah (inspired by two Ghanaian cities) presents an ambitious double-length offering, with 20 compositions and three interludes. From the spirited “New New Orleans (King Adjuah Stomp)” about his hometown to the reflective “Kiel” about his filmmaker/photographer twin brother to the fiery “Jihad Joe,” Scott and his working quintet tirelessly stretch from jazz's traditional foundations to include many of today’s sounds and rhythms.

EDITORS’ NOTES

Trumpeter Christian Scott has emerged as not only a leading trumpeter of his generation but a composer and bandleader as well. The New Orleans native had a hot start with his debut album, Rewind That, earning a GRAMMY® nomination. He’s been a special guest of Radiohead’s Thom Yorke (whose “The Eraser” he covered) and played in bassist-producer Marcus Miller’s ‘80s Miles Davis tribute band. For his fourth studio album, the newly rechristened Christian Scott aTunde Adjuah (inspired by two Ghanaian cities) presents an ambitious double-length offering, with 20 compositions and three interludes. From the spirited “New New Orleans (King Adjuah Stomp)” about his hometown to the reflective “Kiel” about his filmmaker/photographer twin brother to the fiery “Jihad Joe,” Scott and his working quintet tirelessly stretch from jazz's traditional foundations to include many of today’s sounds and rhythms.

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About Christian Scott aTunde Adjuah

Forward-thinking trumpeter, composer, and bandleader Christian Scott, aka Christian Scott aTunde Adjuah, is a lauded performer known for his genre-bending approach to jazz. Born in New Orleans in 1983, Scott received his first trumpet at age 12 as a gift from his mother and grandmother. As Scott's uncle was modern jazz saxophonist Donald Harrison, it was no surprise that Scott soon became very proficient on the trumpet -- so good, in fact, that Harrison began having him play at his gigs.

Following in his uncle's footsteps, Scott enrolled at the prestigious New Orleans Center for the Creative Arts and then at the Berklee School of Music in Boston, where he received a full scholarship. There, he was selected to be part of the Berklee Monterey Quartet in 2004, chosen from four of the school's finest musicians, and played at the Monterey Jazz Festival. Though Scott had already appeared on record with his uncle, he made his major-label solo debut at age 22 on Concord Jazz, with 2006's Rewind That. The record combined rock and R&B motifs with modern jazz, featured Harrison as a guest performer, and was nominated for a Grammy later that year.

Scott returned in 2007 with Anthem, a passionate response to the suffering of his fellow New Orleanians post-Hurricane Katrina. In 2010, Scott released his third studio album, Yesterday You Said Tomorrow. His musical ambition manifested itself expansively in 2012 with the release of his fifth album, the double-disc Christian a Tunde Adjuah. In 2015, Scott returned with Stretch Music, an even more experimental, genre-bending album with heavy electronic influences. Featured on the album were guest appearances from saxophonist Braxton Cook and flutist Elena Pinderhughes.

At the end of March 2017, Scott released Ruler Rebel, a politically charged set that he announced was the first in a series he dubbed The Centennial Trilogy. The second and third volumes in the trilogy, Diaspora and The Emancipation Procrastination, followed in June and October, respectively. The series was intended to honor the 100th birthday of recorded jazz, while contemplating the political and social ills that still tear at the fabric of America. ~ Marisa Brown

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