10 Songs, 29 Minutes

EDITORS’ NOTES

Mtendere Mandowa takes on the “less is more” ethos with his second album released under the Teebs moniker. Where his 2010 debut, Ardour, boasted 18 tracks of near-bliss, 2011’s Collections 01 offers 10 tracks playing totaling just less than 30 minutes. A lonesome tambourine ushers in the opening “Just the Yellow Bits”—a gauzy, keyboard-painted piece punctuated with organic percussion and sublime bass that all come together to remind us that Mandowa was a visual artist before releasing music. “Cook, Clean, Pay the Rent (New House Version)” is a brighter work that blends in cocktail-friendly lounge moods over what sounds like samples of androgynous moaning. “Pretty Polly” is a grayer, rainy-day number that strips it all down to demure female vocals cooing over scratchy looped beats that approximate a heartbeat. At four minutes and 24 seconds, “Verbena Tea with Rebekah Raff” is the album's longest composition. Painting soundscapes with a contrast of harp strings and droning synthesizers, it’s also the most arresting and innovative song here.

EDITORS’ NOTES

Mtendere Mandowa takes on the “less is more” ethos with his second album released under the Teebs moniker. Where his 2010 debut, Ardour, boasted 18 tracks of near-bliss, 2011’s Collections 01 offers 10 tracks playing totaling just less than 30 minutes. A lonesome tambourine ushers in the opening “Just the Yellow Bits”—a gauzy, keyboard-painted piece punctuated with organic percussion and sublime bass that all come together to remind us that Mandowa was a visual artist before releasing music. “Cook, Clean, Pay the Rent (New House Version)” is a brighter work that blends in cocktail-friendly lounge moods over what sounds like samples of androgynous moaning. “Pretty Polly” is a grayer, rainy-day number that strips it all down to demure female vocals cooing over scratchy looped beats that approximate a heartbeat. At four minutes and 24 seconds, “Verbena Tea with Rebekah Raff” is the album's longest composition. Painting soundscapes with a contrast of harp strings and droning synthesizers, it’s also the most arresting and innovative song here.

TITLE TIME
2:30
2:31
2:29
2:52
4:24
1:34
4:16
3:27
2:04
3:17

About Teebs

Part of the Brainfeeder collective that counts Flying Lotus and Samiyam among its members, Los Angeles' Teebs crafts a more atmospheric version of the beat music exemplified by the label. Born Mtendere Mandowa to parents from Malawi and Barbados, Teebs and his family hopped from the Bronx to Georgia and Hartford, Connecticut before landing in Chino Hills, a suburb of Los Angeles. He established himself as a musical and visual artist in the mid-2000s, taking up painting and shaping samples and beats into carefully layered songs with Fruity Loops. Working on his own and as a part of the My Hollow Drum collective, he also connected with Dublab, L.A.'s non-profit public Internet radio station. In 2008, Teebs participated in that year's Red Bull Music Academy in Barcelona, which caught the attention of Flying Lotus; eventually, the pair became neighbors and collaborators. Teebs issued several short-form releases in 2010, including the Jackhigh/BNJMN collaboration The Tropics; Los Angeles 6/10, which featured Daedelus; and his Brainfeeder debut, Why Like This? While working on his debut album, he endured a series of personal hardships, including his brother's illness and the death of his father, that informed Ardour (also released in 2010) with a flowing poignancy. The following year, Teebs returned with the library music-inspired compilation Collections 01, which featured performances by harpist Rebeka Raff and Austin Peralta. However, aside from Sons of the Morning, a collaboration with Prefuse 73 that resulted in 2013's Speak Soon, Vol. 1, Teebs focused on his visual artwork for a few years. His Ante Vos project, for example, found him reworking the covers of albums he found in the trash. When he returned to making music, the results were 2014's more purposeful-sounding Estara, a collection of songs named after Teebs' house and featuring cameos from Prefuse 73 and Jonti. ~ Heather Phares

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Albums

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