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Come Clean

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Album Review

Puddle of Mudd's story is every struggling musician's dream come true: armed with a fake backstage pass, frontman Wes Scantlin snuck the band's demo to a Limp Bizkit security guy at a show in their native Kansas City, and less than one year later finds his group's debut album the first release on Fred Durst's new label. Thankfully, Come Clean sounds nothing like Limp Bizkit; Puddle of Mudd's aggro-rock sound is similar to every other Alice in Chains- and Tool-influenced band to come along in the past few years. The opening, "Control," milks the loud/quiet formula that Nirvana brought back to life, but adds some interesting stop-time changes during the break, while the acoustic balladry of "Drift & Die" will sound familiar, sounding like something Layne Staley could have written. [Come Clean was also released in a "clean" edition, containing no profanities or vulgarities.]

Customer Reviews

Good

Good album and love the song blurry! check it out and ur be sure to sing this on a bad moody day!

Great Album!

This album is full of great songs!

wayy good

5 friggin stars!

Biography

Formed: Kansas City, MO

Genre: Alternative

Years Active: '90s, '00s, '10s

One of the first acts signed to Limp Bizkit frontman Fred Durst's label, Flawless Records, was the alt-metal quartet Puddle of Mudd -- consisting of Wesley Scantlin (guitar and vocals), Paul Phillips (guitar), Douglas Ardito (bass), and Greg Upchurch (drums). While their songs expectedly contain the rage of such contemporaries as Korn and Rage Against the Machine, Scantlin's voice at times is eerily similar to Nirvana's late, great frontman, Kurt Cobain, containing unmistakable elements of traditional...
Full Bio
Come Clean, Puddle of Mudd
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