6 Songs, 1 Hour, 2 Minutes


Ratings and Reviews

4.6 out of 5

19 Ratings

19 Ratings

Prog Rockers, Listen and Rejoice!


You've seen the quote: Glass Hammer sounds more like Yes than Yes does (at present). Listening to Cor Cordium, I'm thinking it might be true. Good stuff here: terrific vocals, structural complexity, ethereal harmonies, edgy guitars and synths. Guess what? There's also risky experiments like "Salvation Station" and "Dear Daddy" mixed in with the comfortable prog strains and licks. Good writing. Good music. After listening a half dozen times I'm crying tears of joy, and listening again. I'm thinking now that the music of heaven will surely include prog rock and when it does, Cor Cordium will be in the mix. If you like "IF" you'll like Cor Cordium. I do, and I highly recommend this album. Thanks guys for the amazing music! Thanks God for Glass Hammer.

Album of the Year


Glass Hammer, with their latest release of Cor Cordium, has defiantly done the impossible.

They created a follow-up to their monster hit album IF from 2010 with perhaps their finest work yet, and will hopefully leave any doubt behind regarding their status as one of the best progressive rock bands, period.

Lets look at what Cor Cordium has in store for you. The opening track is one called Nothingbox, a nice chunky prog number weighing in at just over ten minutes. It lures you in from the opening note, and once you hear those first strums of the guitar, the lazy but insistent tapestry of synth and keyboards weaving in, the commanding crunch of the bass, and Jon singing, the song just takes off. I've only listened five times so far, but it still may be my favorite track from the album... it is oh so difficult to make that distinction, when you have more goodies, like One Heart following right on the heels of the Nothingbox, and changing the rhythm and pace of the evolving landscape of sound that unfolds before you. Again there is magnificent playing on every level by Steve, Fred and Alan, their chemistry developed in the last album has matured like a fine wine, and they effortlessly glide together and apart, one accentuating the other.

Salvation Station follows, and evokes memories of the fun found in some earlier Glass Hammer albums, Lex Rex and the Middle Earth albums came to mind. The albums shortest tune, it grabs you immediately with it's boogie woogie funky prog and lyrics that have you smiling at their cleverness and fun.

Dear Daddy follows, another chunky ten plus minute tune, but this one again surprises you, and is a touching but strong song about a son and his relationship with his father.

On the heels of Dear Daddy comes the longest song and my second favorite, so far, song from the album, To Someone. Coming in at just over eighteen minutes, it the anchor of the album in a sense, not only from it's length, but from a musical perspective as well. A beautiful but definite Glass Hammer classic, it has all of the elements in it that has made me delirious about the band's music. The level of their collective song writing and playing continues to make this band a singular gift. This epic moves and flows, is filled with some artful but driving chords from Alan, Steve continues to throw out one thunderous bass run after another, and Fred comes swooping in with amazing organ, synthesizer and keyboard textures and parts, making this song one amazing ride musically.

The final song is one that also keeps sticking in my head after repeated listens, another left turn in beat and composition, and yet still going in the same direction, it closes out the album coming in at nearly eleven minutes, and is yet another song that evokes earlier Glass Hammer music to my ears, possibly Culture of Ascent's Into Thin Air.

Fred Schendel can no longer be compared to Rick Wakeman or Keith Emerson. Fred is a wizard of the keys, and is in my personal top three keyboard players in the world: Fred, Gem Godfrey of Frost, and Dream Theater's Jordan Rudess. I put Fred first, because I truly believe, after listening to now fourteen albums worth of his playing, that he is peerless. He makes every set of keys he touches, sing and soar like no other.

Steve Babb is a perfect partner for Fred, because his bass playing IS Glass Hammer as well. His distinctive, powerful, driving bass lines accentuate the music perfectly, and have helped to reduce my dashboard to a beaten drum for my fists as I drive along. Yeah, I beat it senseless with my enthusiasm and joy at hearing Steve's bass playing.

The inclusion of Alan Shikoh has helped to reveal yet another facet of the band. His riffs are fresh and perfect counterpoint for so many of the scintillating keyboard runs of Fred's. Both the acoustic and electric guitar playing is outstanding, and allowed the band to truly hone it's unique sound. Don't be surprised to hear lots more of Alan in the future, he is a young talent that can only get better, and that should have any music lover drooling.

Finally, but definitely not least, Jon Davison, brings it. It being that voice of his. Amazing. Yes, it sounds similar to Jon Anderson, in possibly the same way the new Yes singer does. Jon has the familiar smooth high end voice for rock and prog, but it's the soul behind the vocal chords that makes this Jon just as unique and special as that other Jon... His vocals and musical/lyrical contributions are what makes these last two albums complete, his energy is present in all of the songs and it's signature is what will make Jon Davison remembered for many years to come.

Get Cor Cordium, and prepare to lose yourself in the dream, as you get swept away on the wings of majestic and swirling masterpieces.


pai gow

The 1st reviewer described this latest effort very well and I only need to add my own 5 star rating. Have not been this excited about a new studio set of tracks from any artist in a long while.

About Glass Hammer

Glass Hammer began in 1992 when Tennessee musicians Steve Babb and Fred Schendel got together and began writing for a progressive rock concept album. That album, Journey of the Dunadan, was released the following year. Since the two men were basically the entire lineup of the group and played all of the instruments on the album, they would need to recruit musicians to perform the material live. Schendel had played with a drummer named Walter Moore in his last group the Obvious. They brought him in to augment the live lineup. Michelle Young (who had sung on one song on the album) became keyboardist for this version of the group. In 1994 they recorded a second disc, Perelandra, with David Carter being added to the lineup during that recording. The CD was released the following year and shortly thereafter, Young left the group. The next Glass Hammer album, On to Evermore, was released in 1998 followed two years later by Chronometree. ~ Gary Hill



Listeners Also Bought