39 Songs

EDITORS’ NOTES

Phil Anselmo and Dimebag Darrell Abbott (here as “Diamond” Darrell) transformed Pantera at the onset of the ‘90s into a band that would change heavy metal music forever with Cowboys from Hell. Their grinding power would eventually grow even more subversive, but on Cowboys it begins the climb. The title track has amazing elasticity to its groove. “Primal Concrete Sledge” takes thrash-metal hysteria and crunches it into new form. “Psycho Holiday” brings out Anselmo’s unusual vocal attack that uses a battering roar to deliver its points (and a few well-times Rob Halford-like screams). “Cemetery Gates” is a complex seven-minute piece. “Shattered” lets Anselmo reach for the high notes one last time. “The Art of Shredding” acts as a statement of things to come but is still plenty more varied than the genre would become outside of them. The 20th Anniversary Deluxe Edition includes just about all you could want: live recordings, many previously unreleased, and 11 demos, including “The Will to Survive,” a song that didn’t make the final album and is a natural bridge between old and new Pantera.

EDITORS’ NOTES

Phil Anselmo and Dimebag Darrell Abbott (here as “Diamond” Darrell) transformed Pantera at the onset of the ‘90s into a band that would change heavy metal music forever with Cowboys from Hell. Their grinding power would eventually grow even more subversive, but on Cowboys it begins the climb. The title track has amazing elasticity to its groove. “Primal Concrete Sledge” takes thrash-metal hysteria and crunches it into new form. “Psycho Holiday” brings out Anselmo’s unusual vocal attack that uses a battering roar to deliver its points (and a few well-times Rob Halford-like screams). “Cemetery Gates” is a complex seven-minute piece. “Shattered” lets Anselmo reach for the high notes one last time. “The Art of Shredding” acts as a statement of things to come but is still plenty more varied than the genre would become outside of them. The 20th Anniversary Deluxe Edition includes just about all you could want: live recordings, many previously unreleased, and 11 demos, including “The Will to Survive,” a song that didn’t make the final album and is a natural bridge between old and new Pantera.

TITLE TIME
4:08
2:13
5:19
4:46
7:02
5:03
3:24
5:16
5:14
5:10
5:45
4:19
4:57
5:25
5:47
5:02
7:01
3:51
5:12
7:01
3:17
4:16
4:59
5:49
4:15
4:47
4:06
4:42
5:19
5:09
4:52
4:57
4:45
6:15
4:11
12 4:07
13 5:45
14 5:20
15 4:30

About Pantera

The preeminent metal band of the early to mid-'90s, Pantera put to rest any and all remnants of the '80s metal scene, almost single-handedly demolishing any notion that hair metal, speed metal, power metal, et al., were anything but passé. Loathe to admit it, the Texas band had in fact been one of those '80s metal bands, releasing fairly unsuccessful (and later disowned) glam-inspired music throughout much of the decade. The about-face came with the addition of vocalist Phil Anselmo, and the key turning point was the band's major-label debut, Cowboys from Hell (1990). Pantera's mainstream breakthrough came next with Vulgar Display of Power (1992), their second major-label album, which thrust the band to the forefront of the metal scene, alongside such veteran bands as Metallica, Megadeth, Slayer, and Anthrax, as well as fellow up-and-comers Sepultura and White Zombie. By the time Pantera unleashed Far Beyond Driven (1994), after two long years of touring, they were the most popular metal band in the land: the new album debuted atop the Billboard Top 200 as its lead single, "I'm Broken," was getting massive airplay.

At the height of their popularity and influence, Pantera began to self-destruct. Less than two months after the release of The Great Southern Trendkill (1996) -- an album ridden with allusions to drug abuse and personal destruction -- Anselmo overdosed on heroin after a homecoming concert in Texas, and as tensions rose between him and his fellow bandmembers, he began engaging with a growing list of side projects that kept him away from Pantera. A live album, Official Live: 101 Proof (1997), was compiled for release when it became evident that no new studio album was forthcoming any time soon. One final studio album did result, Reinventing the Steel (2000), but that was more or less it for the briefly reunited Pantera. The bandmembers once again went their sperate ways, forming such bands as Damageplan, Down, and Superjoint Ritual.

The end of Pantera then became official on December 8, 2004, when guitarist Dimebag Darrell was murdered on-stage by a deranged fan. This much-publicized murder shone the spotlight back on Pantera for an extended moment, and amid all of the emotional outpouring and tributes, a consensus arose: in retrospect, there was no greater metal band during the early to mid-'90s than Pantera, who inspired a legion of rabid fans and whose oft-termed "groove metal" style bucked all prevailing trends of the day -- from hair metal and grunge to nu-metal and rap-metal -- and remains singular to this day, as defined by the vocals of Anselmo as it is by the guitar of Dimebag. ~ Jason Birchmeier

  • ORIGIN
    Arlington, TX
  • GENRE
    Metal
  • FORMED
    1982

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