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Crossings: New Music for Cello

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Customer Reviews

A very powerful work !

Introspective, intimate and deeply personal, Kate Dillingham takes her Cello on a tour de force of rich inner worlds on
Crossings: New Music for Cello. A very powerful work !

The cello in many shades

I love the different shades and hues the cello creates on this record. I could feel the elusive shades on ‘ALMOST WITHIN REACH’. Stunning cello playing on ‘CHEMINS, 3 EPISODES AND ARIA FOR SOLO CELLO’, it’s as if Kate was painting a wish. Exquisite piano playing from Amir Khosrowpour on ‘ADAGIO PARA AMANTANI’, ‘DANCE OF SHADOWS’ is vibrant and energetic and then the soft meditative pastel on ‘ATMA SHATAKAN’. Excellence!

CD Review by Christian Carey

On Crossings, cellist Kate Dillingham brings energetic artistry to a program of new works. The CD includes a number of solo pieces. Bhakti 4, “Atma Shatakam” (Song of the Self), by Jonathan Pieslak, pairs a meditative modal melody over a drone. Tian Jing Sha, by Yuan-Chen Li, calls upon the cellist to sing in delicate tones alongside a vigorously arpeggiated accompaniment rife with trills. Behold the Lamb of God by Jorge Muniz is a supple work, its ardent melodic lines creating a rhapsodic ambience that alternates with brusquely repeated notes. Chemin, Three Episodes, and Aria for solo cello by Federico Garcia de Castro exploits the cello’s full range in insistent low double stops, long glissandos, and penetrating harmonics. These surround a mid-range melodic thread built out of unconventional scalar fragments. David Fetherolf’s … E io li tenni dietro is an extended suite featuring a variety of demeanors and playing techniques. Passages of pizzicato (plucked) figures, multi-stops, and harmonics are complemented by dancing figures and moody angular melodies.

Joined for duos by pianist Amir Khosrowpour, Dillingham digs in to Gilbert Galindo’s Almost Within Reach, relishing its passionate long breathed melodies and altissimo register cries. Khosrowpour is equally impressive, performing limpid cascades and stentorian chordal outbursts with precision and forceful authority. Allen Schulz’s A Dance of Shadows finds the duo in a dramatic colloquy filled with syncopated gestures and brusquely dissonant verticals. The recording’s highlight, Adagio pour Amantani by Gabriela Lena Frank, is an expansive and beautiful piece, filled with lyrical cello recitatives and soaring passages for the piano. Frank’s harmonic language is intriguingly varied, at some points incorporating triadic writing while at others delving into more intricate chromaticism. Crossings does indeed provide an intersection between a multiplicity of compositional voices and aesthetics. It is unified by the commitment and considerable capabilities brought to each and every performance on the recording. Recommended.

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Crossings: New Music for Cello, Kate Dillingham
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