Dances With Wolves (Original Motion Picture Soundtrack)
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||Main Title - Looks Like a Suicide||John Barry||3:59||$0.99||View in iTunes|
||The John Dunbar Theme||John Barry||2:16||$0.99||View in iTunes|
||Journey to Fort Sedgewick||John Barry||3:25||$0.99||View in iTunes|
||Ride to Fort Hays||John Barry||2:00||$0.99||View in iTunes|
||The Death of Timmons||John Barry||2:25||$0.99||View in iTunes|
||Two Socks - The Wolf Theme||John Barry||1:30||$0.99||View in iTunes|
||Pawnee Attack||John Barry||3:49||$0.99||View in iTunes|
||Kicking Bird's Gift||John Barry||2:10||$0.99||View in iTunes|
||Journey to the Buffalo Killing Ground||John Barry||3:43||$0.99||View in iTunes|
||The Buffalo Hunt||John Barry||2:43||$0.99||View in iTunes|
||Stands With a Fist Remembers||John Barry||2:08||$0.99||View in iTunes|
||The Love Theme||John Barry||3:45||$0.99||View in iTunes|
||The John Dunbar Theme||John Barry||2:04||$0.99||View in iTunes|
||Two Socks At Play||John Barry||1:59||$0.99||View in iTunes|
||The Death of Cisco||John Barry||2:14||$0.99||View in iTunes|
||Rescue of Dances With Wolfes||John Barry||2:09||$0.99||View in iTunes|
||The Loss of the Journal and the Return to Winter Camp||John Barry||2:09||$0.99||View in iTunes|
||Farewell and End Title||John Barry||8:50||$0.99||View in iTunes|
John Barry's fifth Oscar-winning score is a profoundly moving body of music, generally (though not entirely) elegiac in tone, very much like the movie for which it was written. It's also a bit of a mixed bag, occasionally falling back on material that will be familiar to fans of the James Bond movies that Barry scored during the early/mid-'60s. The main title theme uses some of those devices — dense, heavy string passages adjacent to trumpet calls — but it is hardly representative of the full score. The real heart of Dances With Wolves is the pensive, tragic "John Dunbar Theme," which is far closer in spirit to Barry's music for Somewhere in Time or They Might Be Giants, films (and scores) far removed from the Bond movies. It seems as though, when Barry is asked to write music for characters that are complex and troubled (of which Bond is neither), he delivers the goods in the guise of musical material that reflects those elements. Some elements familiar from the Bond films can be found scattered throughout this soundtrack, particularly the violin-driven "stings" that open "The Death of Timmons" and the horn calls that herald its closing; the string parts underneath the hyperactive percussion of "Pawnee Attack" might've been lifted right out of From Russia With Love and "Stands With a Fist Remembers," with its secondary violin part, in the upper register of the strings. Much of Dances With Wolves, however, shows a broadening of Barry's sound — he uses the vast canvas of Kevin Costner's movie and Dean Semler's cinematography as the basis for one of the most richly scored soundtracks of his career, working with one of the largest orchestras ever heard in one of his films; "Journey to Fort Sedgewick," "Kicking Bird's Gift," "Two Socks at Play," "The Death of Cisco," and "Journey to the Buffalo Killing Ground" have an almost Copland-like majesty about them, and "The Buffalo Hunt" is one of the finest pieces of music the man ever wrote. At times, it sounds as though Barry had every string player and hornist in Los Angeles present, and topped it all out with an oversized percussion section, but none of the music or the scoring here sound excessive. Dances With Wolves has appeared in several CD editions, some featuring bonus tracks, and in 2000 became the first soundtrack ever released as a Super Audio CD (with presence on the percussion and the horns that will knock the listener's socks off).
This album is one of John Barry's more defining scores. As grand as Costner's shots of the prarie and as sweeping as the friendship between two different worlds, John Barry's themes are grand. I totally recomend this movie, as one of the best westerns ever made, and also this album, as one of the best scores ever penned. Tracks to note: 2, 8, 10, and 18. Fabulous! buy it!
This is perhaps one of the greatest motion picture soundtracks ever created. Truly outstanding. The quality of this John Barry soundtrack is only second to the movie itself. Highly recommended. Just trust me, this will not disappoint.
Mr. Barry's Genius
As a fan from his James Bond years through this release and furthermore, you cannot falter with the romance and absolute attention to solitude and beauty. John Barry will always be a voice of candid treatment to vision and emotion, regardless of his picture source. Hat is continually off to you and your honesty of sound-
Born: November 3, 1933 in York, England
Years Active: '50s, '60s, '70s, '80s, '90s, '00s
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