12 Songs

EDITORS’ NOTES

Aurelio Martinez is a star of paranda, music of the Garifuna people of Central America, and his playful melodies and darting rhythms reflect his culture’s ancestry in West Africa and the Caribbean. Recorded with a live band, this album presents reinvigorated takes on Aurelio’s favourite songs from his 30-year career. On “Dondo” and “Yange”, the interplay between his yearning vocal and Guayo Cedeño’s spry guitar is hypnotic, while “Lumalali Limaniga” finds aching beauty in—briefly—slowing the pace.

EDITORS’ NOTES

Aurelio Martinez is a star of paranda, music of the Garifuna people of Central America, and his playful melodies and darting rhythms reflect his culture’s ancestry in West Africa and the Caribbean. Recorded with a live band, this album presents reinvigorated takes on Aurelio’s favourite songs from his 30-year career. On “Dondo” and “Yange”, the interplay between his yearning vocal and Guayo Cedeño’s spry guitar is hypnotic, while “Lumalali Limaniga” finds aching beauty in—briefly—slowing the pace.

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3:15 $1.29
4:29 $1.29
4:11 $1.29
3:54 $1.29
5:25 $1.29
4:52 $1.29
3:29 $1.29
3:42 $1.29
4:52 $1.29
5:25 $1.29
4:38 $1.29
5:23 $1.29

Customer Reviews

WORLD'S PARANDA MUSIC AMBASSADOR!

GarifunaStars(DJNelson),

A new experience from Aurelio and still the unmatched quality in the way this production is executed.
Loving every beat of it, I'm sure you will as well. Ába Ísieni.

Inner Flame

Worldlisteningpost.com,

Aurelio Martínez, the greatest living Garifuna singer-songwriter, has a powerful, velvety voice and infectious energy, but there is more fueling his inner flame than passion for music: He is trying to preserve his culture and language. The Garifuna people emerged when shipwrecked African slaves found refuge on St. Vincent Island in the Caribbean and mixed with indigenous Arawak Indians. The British deported their descendants to Central America; the Garifuna today live in Honduras, Belize, Guatemala and Nicaragua, but their minority language—which UNESCO has declared a “Masterpiece of the Oral and Intangible Heritage of Humanity”—is threatened by assimilation and emigration. On Darandi (Thirty), Aurelio offers sparkling new recordings of emblematic songs from a three-decade career rooted in paranda—a brisk-bluesy guitar-and-maracas-based tradition, modernized with drums and electric touches. He tells personal and folk tales, often evoking social issues, and pays homage to artists who influenced him. In Yalifu (Pelican), he remembers the feeling of childhood loss after his father left for New York: “Pelican, give me your wings so I can fly there,” he sings. Nari Golu (Gold Tooth) focuses on a woman who asks her husband for gold teeth to make her more beautiful—when she really wants to impress her secret lover. The country-tinged Funa Tugudirugu (Red Feet) encourages unwed fathers to take responsibility for their children. Sielpa—honoring a pioneering band of the same name—is about man who consulted doctors far and wide in a frustrated effort to diagnose an illness. Dugu addresses ancestor veneration—and perhaps the artist’s driving energy. “When I step on stage,” he told a Spanish interviewer, “I am no longer Aurelio Martínez, but the spirit of my grandfather.”—worldlisteningpost.com

About Aurelio

A passionate preserver of the threatened Latin Paranda genre, self-taught musician Aurelio Martinez's multi-cultural sound impressively managed to transcend his humble Honduras roots. Born and raised in the tiny coastal hamlet of Plapaya, Aurelio grew up surrounded by music, learning to sing from his vocally gifted mother and his troubadour father, building his own guitar from a fishing rod as a child, and performing in Garifuna ceremonies as a teenager. After playing professionally with various Latin ensembles while at school, he formed his own Garifuna group, Lita Ariran, and became a permanent fixture on the La Cieba music scene. After meeting Stonetree Records producer Ivan Duran, he contributed to a Paranda compilation and in 2004, released his debut album, Garifuna Soul, to world-wide critical acclaim. A year later, he turned his back on the music industry to become the first black representative to the Honduran National Congress. However, inspired by the death of his close friend Andy Palacio, who helped to kickstart his career, he returned in 2011 with a new album entitled Laru Beya. ~ Jon O'Brien

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