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Album Review

His first full length since 2002's Op. and a supplemental piece to 2004's C4I DVD, Ryoji Ikeda's Dataplex deals with the idea of data and how it helps to shape our world. Concept framework aside this is also one of the most physically jarring pieces of sonic work in Ikeda's catalog, utilizing ultra high and low stabs of sound that are abrasive and stunning, especially on a clear sound system. These blips of sound eventually morph into rhythmic patterns that rigid, but funky in a very Kraftwerk fashion. The second in a series of audio and visual presentations, Dataplex is a promising to start to what could be one of the most ambitious projects of the post-glitch movement.

Customer Reviews



these are the kind of sounds...

it makes when it creates planets and stuff

Love it...

This is a fantastic experimental album... There's a continuity of the tracks and the album should be listened to in full... You can't just buy a few tracks and understand this release...


Genre: Electronic

Years Active: '90s, '00s

Japanese minimalist electronic composer Ryoji Ikeda is a leading figure among the new crop of computer-based musicians exploring the aesthetic possibilities opened up by digital production technologies. Released through his own CCI Recordings, the U.K.-based Touch label, and Staalplaat, among others, Ikeda's music engages the digital recording and production process directly, playing up subtle glitches and interruptions typically edited out of that process and combining them with profoundly complex...
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