12 Songs, 1 Hour 17 Minutes

EDITORS’ NOTES

After 25 years, Fishbone still had it. Fishbone Live (In Bordeaux) was released as a concert DVD in 5.1 Surround Sound, along with this audio-only companion disc. The horns on “Unyielding Condition” are thick and all-encompassing, and Norwood Fisher’s bass on “Bonin’ in the Boneyard” has a suitably subterranean rumble. Though the classic Fishbone lineup had long since fragmented, Fisher and singer Angelo Moore managed to keep the madcap momentum that drove the group’s early performances. At this point, “Party at Ground Zero” was more than 20 years old and had been performed hundreds of times, but the band still managed to turn the song into an eerie voodoo celebration. Everything about this concert is deep, chunky, and in-your-face. Moore sounds proud to serve as the group’s indefatigable ringmaster, with his elastic voice cutting through everything from the speedy cover of Sublime’s “Date Rape” to the thunderous and glutinous funk of “Everyday Sunshine.” By the time the band closes with a show-stopping version of “Freddie’s Dead,” listeners should agree that Fishbone has earned the right to Curtis Mayfield’s hallowed anthem.

EDITORS’ NOTES

After 25 years, Fishbone still had it. Fishbone Live (In Bordeaux) was released as a concert DVD in 5.1 Surround Sound, along with this audio-only companion disc. The horns on “Unyielding Condition” are thick and all-encompassing, and Norwood Fisher’s bass on “Bonin’ in the Boneyard” has a suitably subterranean rumble. Though the classic Fishbone lineup had long since fragmented, Fisher and singer Angelo Moore managed to keep the madcap momentum that drove the group’s early performances. At this point, “Party at Ground Zero” was more than 20 years old and had been performed hundreds of times, but the band still managed to turn the song into an eerie voodoo celebration. Everything about this concert is deep, chunky, and in-your-face. Moore sounds proud to serve as the group’s indefatigable ringmaster, with his elastic voice cutting through everything from the speedy cover of Sublime’s “Date Rape” to the thunderous and glutinous funk of “Everyday Sunshine.” By the time the band closes with a show-stopping version of “Freddie’s Dead,” listeners should agree that Fishbone has earned the right to Curtis Mayfield’s hallowed anthem.

TITLE TIME

About Fishbone

Combining equal parts of deep funk, high-energy punk, and frantic ska, the Los Angeles-based Fishbone was one of the most distinctive and eclectic alternative rock bands of the late '80s. With their hyperactive, self-conscious diversity, goofy sense of humor, and sharp social commentary, the group gained a sizable cult following during the late '80s, yet they were never able to earn a mainstream audience.

Led by vocalist/saxophonist Angelo Moore, the band formed in 1979 while the members were still in junior high; the original lineup comprised Moore, Chris Dowd, Kendall Jones, Walter Kibby II, and John Norwood Fisher. After performing in local clubs during the early '80s, the group signed with Columbia Records in the mid-'80s, releasing a self-titled EP in 1985. The following year, Fishbone released their first full-length album, In Your Face. While it was marred by a somewhat slick production, the sheer energy of their performances burned through the slightly polished surface. In 1987, the band released the Christmas EP It's a Wonderful Life (Gonna Have a Good Time).

Truth and Soul (1988), Fishbone's second album, captured the band at their most ambitious, as they slammed back and forth between heavy metal and funk, throwing in an acoustic number and a cover of Curtis Mayfield's "Freddie's Dead" for balance. The album expanded their audience and charted at number 153. However, the band didn't record a new album for another three years. In the meantime, they made two EPs -- Ma and Pa (1989) and Bonin' in the Boneyard (1990) -- which basically comprised several B-sides. Before 1991's The Reality of My Surroundings Fishbone added second guitarist John Bigham. The Reality of My Surroundings didn't depart from the band's reckless eclecticism; it refined it. The album was a hit, peaking at number 49 and receiving positive reviews. However, the record didn't establish the band as a mainstream success, nor did 1993's Give a Monkey a Brain and He'll Swear He's the Center of the Universe, despite their appearance at the third Lollapalooza.

Even when the third wave ska revival began to rise to popularity in 1996, Fishbone was left behind, as their 1996 record Chim Chim's Bad Ass Revenge -- their first album for Arista -- was ignored, as was the double-disc compilation Fishbone 101: Nuttasaurusmeg Fossil Fuelin. Despite their poor sales, the group remained a popular concert attraction, issuing the all-star Psychotic Friends Nuttwerx in the spring of 2000. Unfortunately, Hollywood Records had little support for the album and it disappeared after a few disappointing months. They were dropped from the label the following summer, with side projects and various other things keeping them busy during this rough period. An EP featuring a 20-minute jam with Primus, entitled Friendliest Psychosis of All, was released on their own label in the spring of 2002, followed by a live album full of new songs, Live at the Temple Bar and More, in the summer. In 2006 their album Still Stuck in Your Throat appeared in Europe. It arrived in the U.S. in April the next year. ~ Stephen Thomas Erlewine

ORIGIN
Los Angeles, CA
GENRE
Rock
FORMED
1979

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