11 Songs, 44 Minutes

EDITORS’ NOTES

This talented three-sister act received what felt like years of hype with its advance EPs before finally releasing its debut album, Days Are Gone—which sports a title seemingly aware of how much time passed while fans were waiting. With such expectations, Days Are Gone delivers on the hype, with self-penned songs so perfectly performed that it feels unfair that Haim has received so many comparisons to Fleetwood Mac, no matter how kind and worthy. A catchy tune like “The Wire” is so immediately likable that it'd throw the rest of an album by a lesser act off balance. Except Haim is the real deal, and even the very next songs—“If I Could Change Your Mind,” “Honey & I,” “Don’t Save Me”—exhibit fresh excitement of their own propulsion. Producer Ariel Rechtshaid (Usher, Vampire Weekend) helped these songs flow with their identities intact. The album features the best attributes of '80s pop; while those who lived through that era might feel a sense of untraceable déjà vu, everyone should marvel at the catchy, unforced fun heard throughout this remarkable debut.

EDITORS’ NOTES

This talented three-sister act received what felt like years of hype with its advance EPs before finally releasing its debut album, Days Are Gone—which sports a title seemingly aware of how much time passed while fans were waiting. With such expectations, Days Are Gone delivers on the hype, with self-penned songs so perfectly performed that it feels unfair that Haim has received so many comparisons to Fleetwood Mac, no matter how kind and worthy. A catchy tune like “The Wire” is so immediately likable that it'd throw the rest of an album by a lesser act off balance. Except Haim is the real deal, and even the very next songs—“If I Could Change Your Mind,” “Honey & I,” “Don’t Save Me”—exhibit fresh excitement of their own propulsion. Producer Ariel Rechtshaid (Usher, Vampire Weekend) helped these songs flow with their identities intact. The album features the best attributes of '80s pop; while those who lived through that era might feel a sense of untraceable déjà vu, everyone should marvel at the catchy, unforced fun heard throughout this remarkable debut.

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