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Death Peak

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iTunes Review

Chris Clark’s ninth album of adventurous electronica draws on most of the genres he’s experimented with over his career—often within one song. “Hoova” turns sharply from industrial techno to joyous trance to celestial ambience in just five minutes, while the bass of “Peak Magnetic” groans through birdsong and glimmering euphoria like tectonic plates shifting beneath a dawn rave. It works because Clark constantly arranges the noise into spellbinding patterns that settle just long enough to pull you in before his next idea arrives.

Customer Reviews


No need to even listen to it. It’s gonna be AMAZING. Its always is.

A Stunner

This really is one of the more stunning and upbeat albums from Clark in a long while, in fact in many ways it shows the maturity of his songwriting but just caving into his own particular sound. It's a very cohesive album, every song seems to flow seemlessly right into the next, the sound design is thoroughly entrancing, it's just a great album from beginning to end.


Genre: Electronic

Years Active: '00s

Mixing computer-generated crunches, pops, and clicks with organic synthesizer tones and heavily processed sounds, U.K. native Chris Clark creates tense electronica that struggles between a sense of natural wonder and exuberance and dark, foreboding under currents. Clark, who lived in Bristol and Brighton before settling in Birmingham, debuted on Warp with the wintry Clarence Park, released in 2001. Recorded while he was still at university, it was a promising first record, full of cold, terse synths...
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Death Peak, Clark
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