Gentle Spirit (Bonus Track Version) by Jonathan Wilson on Apple Music

15 Songs

EDITORS’ NOTES

The long-awaited follow-up to his first release finds Jonathan Wilson sounding like he’s lived a lifetime of experience in the four years between albums. Since his 2007 debut, Wilson has worked with Elvis Costello, Erykah Badu, Robbie Robertson, Roy Harper, and Jackson Browne. Credited for bringing new life into the vintage “Laurel Canyon sound,” Wilson makes no attempt to deviate from his love for those classic rootsy tones—he even recorded Gentle Spirit at a studio in the actual Los Angeles canyon. The title track opens with hushed piano, as crisp acoustic arpeggios pluck around slowly pulsing Mellotron notes. Then Wilson comes in, singing softly in his high register with a weary, sleep-deprived-sounding voice that recalls Doom Trilogy–era Neil Young. The humorously titled “Can We Even Party Today” follows; its strumming sounds like Young’s “Tell Me Why,” but Wilson’s double-tracked vocals fall closer to the inflections of troubled troubadour Dennis Wilson (no relation). “Desert Raven” braids cosmic American twang into wistful dream pop, creating a beautifully organic psychedelia.

EDITORS’ NOTES

The long-awaited follow-up to his first release finds Jonathan Wilson sounding like he’s lived a lifetime of experience in the four years between albums. Since his 2007 debut, Wilson has worked with Elvis Costello, Erykah Badu, Robbie Robertson, Roy Harper, and Jackson Browne. Credited for bringing new life into the vintage “Laurel Canyon sound,” Wilson makes no attempt to deviate from his love for those classic rootsy tones—he even recorded Gentle Spirit at a studio in the actual Los Angeles canyon. The title track opens with hushed piano, as crisp acoustic arpeggios pluck around slowly pulsing Mellotron notes. Then Wilson comes in, singing softly in his high register with a weary, sleep-deprived-sounding voice that recalls Doom Trilogy–era Neil Young. The humorously titled “Can We Even Party Today” follows; its strumming sounds like Young’s “Tell Me Why,” but Wilson’s double-tracked vocals fall closer to the inflections of troubled troubadour Dennis Wilson (no relation). “Desert Raven” braids cosmic American twang into wistful dream pop, creating a beautifully organic psychedelia.

TITLE TIME
6:27
6:41
7:58
6:27
8:21
4:00
4:07
3:47
6:22
3:46
3:25
6:26
10:32
6:20
6:13

About Jonathan Wilson

Jonathan Wilson was born in the mid-'70s, but his music most clearly recalls an era whose heyday came a few years before he came into the world; the deep but gentle vibe of his songs is an echo of the Laurel Canyon mellow rock scene of the late '60s and early '70s, and it's no surprise that he found a home in the very same section of California years after the fact. Wilson was born in Forest City, North Carolina on December 30, 1974. He grew up surrounded by music: his grandfather was a preacher at a Baptist church, and his father was a musician and bandleader. In 1995, Wilson, who had become an accomplished guitarist and keyboardist, formed the band Muscadine with his friend Benji Hughes; the group caught the attention of Sire Records, which signed Muscadine and released their debut album, The Ballad of Hope Nicholls, in 1998.

The group broke up in 1999, and Wilson spent the next several years in transit, living for a while in a hippie community in California, then in Alpharetta, Georgia, and in New York City for a spell before settling in Laurel Canyon. Along the way, he learned the rudiments of audio engineering and assembled an impressive collection of analog recording gear; he opened a recording studio and began working as a producer and sideman with a wide variety of artists, including Dawes, Erykah Badu, Phil Lesh, Elvis Costello, Jackson Browne, Chris Robinson, Will Oldham, and Shooter Jennings, and also joined several of those acts on the road. During his downtime from studio sessions and road work, Wilson worked on a solo album in which he handled all the instrumental chores himself; the project, titled Frankie Ray, was initially distributed on CD-R by Wilson himself before finally finding a home at Koch Records, who released it in 2007.

Wilson also began hosting regular jam sessions at his home, which became a nexus for the revitalized Laurel Canyon musical community; Harvey Kubernik, who has been writing about the Los Angeles music scene for decades, told the Los Angeles Times Magazine in 2009, "Jonathan's at the epicenter of what's happening in today's LC." For his second solo album, Wilson opted to use a full band, recording at his own Five Star Studio, which had been relocated to a larger space in L.A.'s Echo Park community; featuring appearances by Gary Louris, Chris Robinson, Barry Goldberg, Gary Mallaber, and Andy Cabic and Otto Hauser of Vetiver, Gentle Spirit was released by Bella Union Records in the fall of 2011. It was followed by the Pity Trials & Tomorrow's Child EP in 2012. Wilson issued Fanfare for Downtown Records in October of 2013. ~ Mark Deming

  • ORIGIN
    Forest City, NC
  • BORN
    Dec 30, 1974

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