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Wet from Birth

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Album Review

Since the breakout success the Faint had with 2001's Danse Macabre, the band's sound has become more mature and eclectic, as Wet from Birth, the group's fourth album, demonstrates. Relying less on overpowering synths and more on subtle electronics, prickly guitar work, and heavy, often chopped-up beats, the band sounds both more rock and more overtly electronic than it ever has before, while avoiding dated electroclash pitfalls. Though the Faint still mines the '80s for inspiration, the band seems to be moving forward, however slightly, with songs like album opener "Desperate Guys," which sets a typically Faint tale of sexual dysfunction to trilling violins, twanging guitars, and glitchy rhythms. The jabbing guitars on "I Disappear" have hints of dance-punk lurking around the edges — which isn't really surprising, since the Faint has been influenced by new wave and post-punk since long before many of the new new wave revivalists existed — and "Southern Belles in London Sing" enlists Azure Ray's vocals as a part of the song's fey, Baroque synth pop confection. But though Wet from Birth is the Faint's most modern and ambitious-sounding work, the album is let down too often by weak and predictable songwriting. The group's dystopian, Phillip K. Dick-goes-pop vision of dysfunctional relationships, conspicuous consumption, and corrupt politics is growing stale and overly jaded: "Symptom Finger"'s denouncement of as-seen-on-TV pharmaceuticals is well meaning and its throbbing, feverish synths are evocative, but clunky catch phrases like "telepharmavangelism" just get in the way. Likewise, "Paranoiattack" has the rhetorical thrust of !!! or Radio 4, but it comes a little too late to the (political) party. "Birth," a graphic remembrance of conception and being born, aspires to be powerful, but lyrics such as "my brain wouldn't fit through her organ of sex" just sound kind of ridiculous. Worse, throughout the album Todd Baechle's famously choppy, monotonous delivery sounds more dull than detached. Even though Wet from Birth occasionally gets tripped up on its own ambitions, it still has its share of enjoyable tracks: "Erection" might be a puerile in-joke, but its X-rated rewrite of Depeche Mode's "Personal Jesus" is still undeniably fun; the dark, dubby "Phonecall" is a welcome addition to the ranks of stalker pop; and "Dropkick the Punks" does indeed kick things into gear in a way that should have happened more often on the album. Containing some of the Faint's best and worst moments, Wet from Birth is often a frustrating album; while the band's style is evolving, the Faint still needs to work on its substance.

Customer Reviews

One of the best dance rock records ever released

If you are bored with dance music, give this a shot. Wet from Birth is one of those records where there are a handful of songs that made the album worth the purchase. "Desperate Guys," "Southern Belles in London Sing," "I Disappear," and "Paranoiattack" contain some of the sickest dance grooves I have ever heard. I bought this album back in September 2004, but I can't stop playing these 4 songs. It has an obvious retro 80s new wave/post-punk feel. But it's actually refreshing to hear a semi-popular modern dance record that doesn't rely so much on hip hop, trip hop, drum and bass, jungle, industrial or bland techno in order to slither its way down to your hips.

Dance Party 05 Music

Such, such such a good album. All that dark hard rocker punk stuff. I first hear 'erection' in the car and i had to download everything. crazy crazy good music

why is the faint not bigger?

this album is amazing, i don't know why i didn't find them earlier. why are they not "mega" stars yet? key word is YET.


Formed: 1994 in Omaha, NE

Genre: Alternative

Years Active: '90s, '00s, '10s

Omaha, NE's the Faint have gone through countless changes in their relatively short career, but with each shift, both in terms of personnel and style, they have made a distinct new impression and turned more and more heads. Originally called Norman Bailer and featuring current members Clark and Todd Baechle (later he changed his name to Todd Fink, after marrying future Saddle Creek recording artist Orenda Fink of Azure Ray), as well as bassist Joel Peterson, the group's early years were a mix of...
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