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Customer Reviews

A Beautiful Farewell

Mezz Mesirow,

This was David's last album prior to his death in 2009, and it shows no diminution in his prowess. On the contrary, it's one of his finest and most consistently rewarding records. The public always seemed to appreciate David more than the professional critics. I'll never forgive Gary Giddins for a condescending backhanded compliment he once offered David in a Village Voice review. I'm no critic but I will tell you this. I own thousands of jazz records. Many I become infatuated with briefly and then leave forever behind. But this is one I come back to again and again. It sounds just as great on the 200th listening as on the first. The title track, New York State of Mind, Cedar's Blues -- everything here is a wonderful display of musicians working make something beautiful, not to impress with empty virtuosity. An absolute gem.

About David "Fathead" Newman

As a teenager, David Newman played professionally around Dallas and Fort Worth with Charlie Parker's mentor, Buster Smith, and also with Ornette Coleman in a band led by tenor saxophonist Red Connors. In the early '50s, Newman worked locally with such R&B musicians as Lowell Fulson and T-Bone Walker. In 1952, Newman formed his longest-lasting and most important musical association with Ray Charles, who had played piano in Fulson's group. Newman stayed with Charles' band from 1954-1964, while concurrently recording as a leader and a sideman with, among others, his hometown associate, tenor saxophonist James Clay. Upon leaving Charles, Newman stayed in Dallas for two years. He then moved to New York, where he recorded under King Curtis and Eddie Harris; he also played many commercial and soul dates. Newman returned to Charles for a brief time in 1970-1971; from 1972-1974 he played with Red Garland and Herbie Mann. Newman parlayed the renown he gained from his experience with Charles into a fairly successful recording career. In the '60s and '70s, he recorded a series of heavily orchestrated, pop-oriented sides for Atlantic and in the '80s he led the occasional hard bop session, but Newman's métier was as an ace accompanist. Throughout his career, he recorded with a variety of non-jazz artists; Newman's brawny, arrogant tenor sound graced the albums of Aretha Franklin, Dr. John, and many others. It is, in fact, Newman's terse, earthy improvisations with Charles that remain his most characteristic work. Newman began a productive relationship with HighNote Records at the close of the 1990s, releasing an impressive series of albums, including Chillin' (1999), Keep the Spirits Singing (2001), Davey Blue (2001), The Gift (2003), Song for the New Man (2004), I Remember Brother Ray (a moving tribute to Ray Charles released in 2005), Cityscape (2006), and Life (2007). Diamondhead followed in 2008. Newman passed on January 20, 2009, from pancreatic cancer. ~ Chris Kelsey

    Corsicana, TX
  • BORN
    February 24, 1933

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