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Legs to Make us Longer

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Album Review

Legs to Make Us Longer is extraordinary guitarist Kaki King's second album, and her first for Epic's Red Ink imprint. As such, it reflects its major-label status in higher production values from cover art to exquisite sound. Produced by guitarist David Torn, the album also marks a step from King's solo guitar debut. The stunning yet soulful technique King delivered on Everybody Loves You is everywhere present, from her thumb-over-the-top basslines and tapping harmonics to extended, two-handed melodies. But some other things are here as well — an upright bass here, a drum kit here, strings in various places — adding more dimension and texture to King's trademark songwriting for solo guitar. The employment of drums and upright bass on "Ingots" is startling at first, but hardly distracting, as Torn's nuance and tasteful production are never intrusive. The tune is one of the most lyrical in her repertoire and literally sings with its midrange harmonics and colorful chording. On "Doing the Wrong Thing," skittering snares shimmer across the backdrop before engaging in a full-on counterpoint with King in a speedy yet wispy dance through motion and space, before cellist Erik Friedlander and violinist/violist Joyce Hammann slip into the mix at four minutes to take the tune out into the ether. King plays an electric guitar on "Can the Gwot Save Us?," in a loping, pastoral country manner that for all its slowness and elegance is more mysterious than anything else here. The album's final track, "My Insect Life," also showcases her in the company of bass, cello, and drums, and has her singing in a small, twee voice that is all but covered by her overdubbed acoustic and electric guitar playing. But it is very effective as an instrument, faltering its way through the skeletal tune and sending the disc off in a near whisper to excellent effect after a coda following an extended space. Ultimately, this is a step forward. While Legs to Make Us Longer doesn't contain the raw, dynamic immediacy of Everybody Loves You, it substitutes a wealth of diversity, warmth, and textural dimension to more than compensate. King is a major talent, an iconoclastic figure who is this era's only new voice on the acoustic guitar, even as she explores other compelling sonic and musical avenues.

Customer Reviews




I love her, this song is one of my favs!

The great one

Kaki is amazing in this album


Born: August 24, 1979 in Marietta, GA

Genre: Rock

Years Active: '00s, '10s

Kaki King's childhood passions were the drums and Brit-pop, and she figured if she ever made it big it would be because of her skills behind the kit. However, her musical talents didn't stop there: she also played the guitar, and though she learned Beatles and Fleetwood Mac songbooks, she found herself drawn to the styles of Preston Reed and Michael Hedges. Moving from Atlanta to New York to attend college, King got her first taste of solo guitar performance thanks to campus open-mike nights, and...
Full Bio