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Reseña de álbum

Opening and closing with "Don't Break Me" and "At the Bottom" — two soaring anthems of alienation and anger — Billy brims with absolute frustration, which suits this aggressive (but agreeable) Berkeley, CA. outfit just fine. Though the production is as good and the musicianship as tight as previous efforts, Billy stands out simply because it has better songs, many of which seem tailor-made to the skate-punk teen: non-specific tales of isolation ("Well"), observant digs at the establishment ("Hey Brother"), and defiant statements of non-conformity ("Head Trip").

Reseñas de clientes


This was my first Samiam album and remains my favorite. I've been listening to it since it came out (then every day- now atleast once a month). From start to finish it is awesome. Buy it!

Best samiam album!!

Best samiam album!!

Best Samaim album....

Got this album back in high school, still is one my all time favorites. If you are familair with Samiam's work, then you already own this album, if not, do yourself a huge favor and pick this up. Start with "You are freaking me out", if you are unfamiliar but definitely buy "Billy".


Fecha de formación: California, 1988

Género: Alternativa

Años de actividad: '80s, '90s, '00s, '10s

Part of the Bay Area punk revival of the late '80s and early '90s, Samiam specialized in the catchy, anthemic punk-pop typical of the Warped Tour crowd, but separated themselves with a greater debt to hardcore and a more introspective lyrical bent that won over emo audiences. Formed in 1988, most of the band's founding members had played in other Berkeley-area punk groups: vocalist Jason Beebout had been in Isocracy with bassist Martin Brohm; guitarist Sergie Loobkoff had been a drummer for Sweet...
Biografía completa
Billy, Samiam
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Valoraciones de clientes