"Agents of Fortune" by Blue Öyster Cult on iTunes

10 Songs

EDITORS’ NOTES

With their fourth studio album Blue Oyster Cult updated and retooled their sound to better their chances at mainstream rock radio in the mid-70s. It worked, since the swirling mysteries (and cowbell) of “(Don’t Fear) The Reaper” became an FM radio classic rock standard and tunes such as “This Ain’t the Summer of Love” and “E.T.I.  (Extra-Terrestrial Intelligence)” became fan favorite live staples for decades to come. Allen Lanier’s keyboards that took on added presence on their previous album, the hardcore fan favorite Secret Treaties, are given even wider expansion here, often challenging the twin-guitar attack of Buck Dharma and Eric Bloom. However, Blue Oyster Cult were always a suspect hard rock group, less interested in bludgeoning their audience than seducing it with unusual wit, obscure concepts and mysterious symbolism. The band’s earlier boogie exercises have mostly dissipated. “Debbie Denise” is practically a lite-FM ballad about a rocker on the road and his discontented lady waiting at home.  Emerging punk poetess Patti Smith (and Lanier’s girlfriend for a time) contributes lyrics and vocals to “The Revenge of Vera Gemini.” Demos (including one for “Reaper”) and an early version of “Fire of Unknown Origin” are added to the expanded edition.

EDITORS’ NOTES

With their fourth studio album Blue Oyster Cult updated and retooled their sound to better their chances at mainstream rock radio in the mid-70s. It worked, since the swirling mysteries (and cowbell) of “(Don’t Fear) The Reaper” became an FM radio classic rock standard and tunes such as “This Ain’t the Summer of Love” and “E.T.I.  (Extra-Terrestrial Intelligence)” became fan favorite live staples for decades to come. Allen Lanier’s keyboards that took on added presence on their previous album, the hardcore fan favorite Secret Treaties, are given even wider expansion here, often challenging the twin-guitar attack of Buck Dharma and Eric Bloom. However, Blue Oyster Cult were always a suspect hard rock group, less interested in bludgeoning their audience than seducing it with unusual wit, obscure concepts and mysterious symbolism. The band’s earlier boogie exercises have mostly dissipated. “Debbie Denise” is practically a lite-FM ballad about a rocker on the road and his discontented lady waiting at home.  Emerging punk poetess Patti Smith (and Lanier’s girlfriend for a time) contributes lyrics and vocals to “The Revenge of Vera Gemini.” Demos (including one for “Reaper”) and an early version of “Fire of Unknown Origin” are added to the expanded edition.

Mastered for iTunes
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Customer Reviews

4.4 out of 5

124 Ratings

This album needed another review...

TalkUsDown,

Okay, so pretty much Blue Öyster Cult kicks a*s. They are such a good band that no matter which collection of theirs it is, its going to be amazing. Agents of Fortune isn’t a real lengthy album, but it’s great none the less. There’s not a bad song on this album, so go on, if you don’t already own it, than buy it.

Blue Oyster Cult is Amazing

j.D.w.,

I absolutely love blue oyster cult. This isn't one of their best albums, but it contains the song (Don't Fear) The Reaper so there is no way it can be bad.

About Blue Öyster Cult

Blue Öyster Cult was the thinking man's heavy metal group. Put together on a college campus by a couple of rock critics, it maintained a close relationship with a series of literary figures (often in the fields of science fiction and horror), including Eric Von Lustbader, Patti Smith, Michael Moorcock, and Stephen King, while turning out some of the more listenable metal music of the early and mid-'70s. The band that became Blue Öyster Cult was organized in 1967 at Stony Brook College on Long Island by students (and later rock critics) Sandy Pearlman and Richard Meltzer as Soft White Underbelly and consisted of Andy Winters (bass), Donald "Buck Dharma" Roeser (guitar), John Wiesenthal -- quickly replaced by Allen Lanier -- (keyboards), and Albert Bouchard (drums), with Pearlman managing and Pearlman and Meltzer writing songs. Initially without a lead singer, they added Les Bronstein on vocals. This quintet signed to Elektra Records and recorded an album that was never released. They then dropped Bronstein and replaced him with their road manager, Eric Bloom, as the band's name was changed to Oaxaca. A second Elektra album also went unreleased, though a single was issued under the name the Stalk-Forrest Group.

Cut loose by Elektra, they changed their name again, to Blue Öyster Cult, and signed to Columbia Records in late 1971, by which time Winters had been replaced by Albert Bouchard's brother Joe. Blue Öyster Cult, their debut album, was released in January 1972 and made the lower reaches of the charts. Columbia sent a promotional EP, Live Bootleg, to radio stations in October, and followed with BÖC's second album, Tyranny & Mutation, in February 1973. Their third album, Secret Treaties, was released in April 1974 and became their first to break into the Top 100 bestsellers. (It eventually went gold.) BÖC released a live double album, On Your Feet or on Your Knees, in February 1975.

In May 1976 came their fourth studio album, Agents of Fortune, including the Top 40 (Top Ten on some charts) hit single "(Don't Fear) The Reaper" (featured in the classic John Carpenter horror film Halloween), which became their first gold and then platinum album. (On Your Feet went gold shortly after.) BÖC's sixth overall album, Spectres, was released in October 1977 and went gold in January 1978. In September 1978 came a second live album, Some Enchanted Evening, which eventually would become BÖC's second million-seller, followed by the studio album Mirrors in June 1979. A year later, BÖC released its ninth album, Cultosaurus Erectus, with the gold Fire of Unknown Origin, containing the Top 40 hit "Burnin' for You," following in June 1981.

In the summer of 1981, drummer Albert Bouchard was replaced by the band's tour manager and lighting designer, Rick Downey. BÖC's third live album, Extraterrestrial Live, was released in April 1982, followed by the studio album The Revolution by Night in October 1983. Downey left in 1984 and was replaced in 1985 by Jimmy Wilcox. The same year, Lanier left and was replaced by Tommy Zvonchek. BÖC released its 13th album, Club Ninja, in January 1986. Bassist Joe Bouchard left in 1986 and was replaced by Jon Rogers. In 1987, Lanier returned to the group, and Ron Riddle replaced Wilcox on drums. BÖC's 14th album, the concept recording Imaginos, became their final new album on Columbia Records in July 1988. BÖC scored the movie Bad Channels in 1992, by which time Chuck Burgi had replaced Ron Riddle on drums. In 1994, Blue Öyster Cult released Cult Classic, an album of re-recorded favorites, in connection with the use of their music in the TV miniseries of horror novelist Stephen King's The Stand. Numerous lineup changes ensued throughout the '90s (as the band kept on touring the world), and in 1995, were the subject of a double disc anthology, Workshop of the Telescopes.

By the late '90s, BÖC had signed with the CMC label, resulting in their first album of all-new studio material in ten years, 1998's Heaven Forbid, and three years later The Curse of the Hidden Mirror. The group's music reached a whole new generation of hard rock fans when Metallica covered the BÖC classic "Astronomy" for their best-selling Garage Inc. album in 1998, as a few other best-of collections surfaced around the same time -- Super Hits and Don't Fear the Reaper: The Best Of. In 2001, Columbia/Legacy reissued BÖC's first four releases with a newly remastered sound and added bonus tracks. ~ William Ruhlmann & Greg Prato

  • ORIGIN
    Long Island, NY
  • FORMED
    1967

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