11 Songs, 49 Minutes


Don’t Waste Your Wishes gathers all of the band’s Christmas singles, and adds one more: 2016’s “I’ll Be Home for Christmas,” a heartwarming fireside tale from frontman Brandon Flowers that culminates with a stirring tribute to Bing Crosby’s classic. All proceeds from each sale of the album and individual tracks featured on this page will be donated to (RED).


Don’t Waste Your Wishes gathers all of the band’s Christmas singles, and adds one more: 2016’s “I’ll Be Home for Christmas,” a heartwarming fireside tale from frontman Brandon Flowers that culminates with a stirring tribute to Bing Crosby’s classic. All proceeds from each sale of the album and individual tracks featured on this page will be donated to (RED).


Customer Reviews

4.5 out of 5

97 Ratings

97 Ratings

Every song is great!

Baseballl Dude,

Thanks you to The Killers for putting out heartwarming and hilarious Christmas music every year for the past 11 years and donating the proceeds to charity. My favorite songs: Boots, A Great Big Sled, and the Santa Trilogy (Don't Shoot Me Santa, I Feel It In My Bones, Dirt Sledding). Please don't let this be the last one!

Instant Holiday Classic


This album is surprisingly cohesive and "I'll Be Home For Christmas" ends the album on a beautifully nostalgic note. This will make anyone think back on the holidays they spent with their family as a child. This album perfectly sums up the spirit of Christmas in a funny, somber, and nostalgic tone. An instant holiday classic.

I Usually Avoid Christmas Music....


...but I will put up with a full album of it just to enjoy the fact that these guys have finally broken the silence with a full project that is nothing but pure, original Killers sound. This has me super hopeful as to where they are moving forward to from here. The last couple albums have been well composed- so well that they put me to sleep. I wanna hear something raw. I want to hear the Oxegen 2005 Killers. And I'm hearing it here... even if it is a Christmas album.

About The Killers

Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of '80s-styled synth pop and fashionista charm, the band's street-smart debut, Hot Fuss, became one of 2004's biggest releases, spawning four singles and catapulting the group -- particularly their dandyish, 22-year-old frontman, Brandon Flowers -- into the international spotlight. Hot Fuss reveled in the garish glitz of the band's native Las Vegas, spinning tales of androgynous girlfriends and illicit affairs to a public whose taste for revivalist dance-rock would prove to be virtually insatiable. Franz Ferdinand, Interpol, and the Bravery all benefited from such retro-minded interest, but the Killers unapologetically trumped them all -- even when their sophomore effort, Sam's Town, deemphasized the group's new wave sensibilities in favor of something more akin to the heartland rock of Bruce Springsteen and Rattle and Hum-era U2.

Brandon Flowers (vocals/keyboards), David Keuning (guitar), Mark Stoermer (bass), and Ronnie Vannucci (drums) first came together in 2002, two years before Hot Fuss introduced their band to the public. Flowers had been sacked by his former synth pop band, Blush Response, after refusing to move to Los Angeles with the rest of his bandmates. Instead, he remained in Las Vegas, where he soon met local guitarist and Oasis fanatic Keuning. The two began collaborating on material; within weeks, they'd composed their soon-to-be radio hit "Mr. Brightside." Stoermer, a former medical courier, and Vannucci, a classical percussion major at UNLV, eventually joined the fray, and the band began playing small clubs in its hometown. A U.K. representative for Warner Bros. caught wind of the Killers' brewing hype, and although he neglected to bring them on board the Warner roster, he did pass along their demo to the London-based indie imprint Lizard King. The British label quickly signed the Killers, who temporarily moved to the U.K. and issued a limited-edition single for "Mr. Brightside." The Killers' buzz had effectively traveled back across the Atlantic by fall 2003, and the band was offered a prime spot at the annual CMJ Music Marathon in New York City. A worldwide deal with Island followed shortly thereafter, positioning the Killers to join the ranks of Interpol, the Rapture, and the Strokes.

Shared U.K. dates with British Sea Power and stellastarr* in 2004 gave the Killers an opportunity to showcase material from their debut album, Hot Fuss, which was released that June. "Somebody Told Me," "Mr. Brightside," "Smile Like You Mean It," and "All These Things That I've Done" all became worldwide chart hits, and Hot Fuss peaked at number seven on the Billboard Top 200. Buoyed by such success, Flowers became a sought-after media presence, often lashing out at such groups as the Bravery for riding his band's coattails into the mainstream. The frontman's confidence was not unwarranted; by 2006, Hot Fuss had earned five Grammy nominations and sold over five million copies. Rather than take a break to recover from their heavy tour regime, the Killers immediately set to work on a second album. A newly built facility at the Palms Hotel and Casino in Las Vegas became the band's studio, and legendary producers Flood and Alan Moulder (who had previously worked together with U2 and the Smashing Pumpkins) were chosen to helm the controls. Instead of mining the glamour and glitz of their hometown (as they did to a successful extent on Hot Fuss), the group instead focused on nostalgia and the demise of old-fashioned American values, citing veteran songsmith Bruce Springsteen as a chief influence.

The popularity generated by leadoff single "When You Were Young" led up to the highly anticipated release of Sam's Town in early October 2006. While the album did not match the popularity of the band's debut, it nevertheless sold 700,000 copies worldwide during its first week, eventually spawning three U.S. singles and gaining the Killers two additional Grammy nods. Sawdust, a collection of B-sides, rarities, and remixes, followed one year later, serving as a stopgap recording between the band's proper studio albums. The Killers then returned in 2008 with Day & Age, which eschewed the Americana tangents of Sam's Town in favor of pop pastiches and sleek, oddball dance-rock. The band's return to the dancefloor was emboldened by Stuart Price, a veteran producer who had previously worked with Madonna and Gwen Stefani, and the Top 40 single "Human" helped the Killers continue their commercial streak. A lengthy tour carried the band into 2009, which also saw the release of the concert album Live from the Royal Albert Hall. Solo work comprised many of the next few years, including Brandon Flowers' Flamingo, Ronnie Vannucci's Big Talk, and Mark Stoermer's Another Life.

After reconvening in early 2011, the band got to work on its fourth studio album, enlisting a small army of notable producers, including Daniel Lanois, Steve Lillywhite, Damian Taylor, Stuart Price, and Brendan O'Brien. The resulting Battle Born was released in September, 2012. In early 2013, the band announced that they would be releasing their first greatest-hits collection later that year. Entitled Direct Hits, the November release featured two newly recorded songs, "Shot at Night" and "Just Another Girl," which were produced by M83 and Stuart Price, respectively. In 2015, the Killers began working on new material for their fifth studio album, eventually settling on producer Jacknife Lee to helm the bulk of the tracks. The resulting album, Wonderful, Wonderful, appeared in 2017 and included the single "The Man." Also featured on the album were guest appearances by Mark Knopfler and Brian Eno. ~ Andrew Leahey




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