13 Songs, 44 Minutes
EDITORS’ NOTES
With High Noon, Jerrod Niemann achieves a balancing act that eludes many contemporary Nashville singer/songwriters. His music falls gracefully between the pop-infused anthems atop the country charts and low-key, boot-stomping traditionalism. Niemann tempers the poppy gloss of tunes like “Come On, Come On” and “Buzz Back Girl” with touches of ’70s countrypolitan and old-school twang (“Day Drinkin’”). When he turns out a slow-swinging, blues-inflected burner in “The Real Thing,” he scores the album’s most soulful, infectious melody. But High Noon’s most amiable quality is Niemann’s whip-smart one-liners. “I’m no Shakespeare or Kristofferson,” he teases on “Lucky #7.” Maybe he’s not, but the detailed wordplay and shrewd insight throughout the album suggest that he's inspired by both.
High Noon
Jerrod Niemann
EDITORS’ NOTES
With High Noon, Jerrod Niemann achieves a balancing act that eludes many contemporary Nashville singer/songwriters. His music falls gracefully between the pop-infused anthems atop the country charts and low-key, boot-stomping traditionalism. Niemann tempers the poppy gloss of tunes like “Come On, Come On” and “Buzz Back Girl” with touches of ’70s countrypolitan and old-school twang (“Day Drinkin’”). When he turns out a slow-swinging, blues-inflected burner in “The Real Thing,” he scores the album’s most soulful, infectious melody. But High Noon’s most amiable quality is Niemann’s whip-smart one-liners. “I’m no Shakespeare or Kristofferson,” he teases on “Lucky #7.” Maybe he’s not, but the detailed wordplay and shrewd insight throughout the album suggest that he's inspired by both.
| TITLE | TIME | ||
|---|---|---|---|
|
Space
|
3:45 | ||
|
Buzz Back Girl
|
3:11 | ||
|
Drink to That All Night
|
3:45 | ||
|
I Can't Give in Anymore
|
3:43 | ||
|
We Know How to Rock
|
3:26 | ||
|
Come On, Come On
|
3:20 | ||
|
Lucky #7
|
3:40 | ||
|
Donkey
|
3:18 | ||
|
Day Drinkin'
|
3:09 | ||
|
The Real Thing
|
3:56 | ||
|
Beach Baby
|
3:12 | ||
|
Refill
|
2:57 | ||
|
She's Fine (feat. Colt Ford) [feat. Colt Ford]
|
3:24 |
About Jerrod Niemann
Country singer and songwriter Jerrod Niemann has penned songs for Garth Brooks, Neal McCoy, Jamey Johnson, and Zona Jones, among others, and has built a strong fan base as a performer of his own material as well. Born in Harper, Kansas (but raised in nearby Liberal, Kansas), Niemann fell early under the spell of country legends like Lefty Frizzell, George Strait, and Keith Whitley, and soon learned to accompany himself on guitar while entering various talent contests. By the age of ten he was writing and performing his own songs. After high school he attended South Plains College in Levelland, Texas, where he also followed his music dreams by playing in the local clubs and bars. He self-released an album, Long Hard Road, in 1999. Niemann moved to Nashville a year later in September of 2000, signing a development deal with Mercury Records in 2001. The deal didn't produce much of note, although Niemann now had a band behind him, and they began touring the club circuit. He self-released a second album, Jukebox of Hard Knocks, in 2004, then signed with Category 5 Records in 2006, releasing the single "I Love Women (My Mama Can’t Stand)," but the label soon folded and a projected album, Behind This Microphone, never appeared.
The single, though, opened some doors, and Niemann next signed to Arista Nashville in 2009. His first album on a national label, Judge Jerrod & the Hung Jury, appeared from Arista Nashville in 2010. Thanks to the number one single "Lover, Lover" and its Top Five follow-up, "What Do You Want," the album was a hit, and Niemann followed it in the fall of 2012 with the wild, adventurous Free the Music. The album received some good reviews but produced no hit singles, so Niemann played it safe on its 2014 follow-up, High Noon. The first single pulled from the record, "Drink to That All Night," went to number six on the Billboard country charts, besting anything released from Free the Music. Two subsequent singles from High Noon -- "Donkey" and "Buzz Back Girl" -- failed to generate a spark, and after the non-LP single "Blue Bandana" scraped Billboard's Country Top 40 chart in 2015, Niemann left Arista Nashville in 2016. He swiftly signed with Curb and released the Lee Brice duet "A Little More Love" as a single. Over the next year, he worked on his Curb debut, This Ride, which saw release in October 2017. ~ Steve Leggett
The single, though, opened some doors, and Niemann next signed to Arista Nashville in 2009. His first album on a national label, Judge Jerrod & the Hung Jury, appeared from Arista Nashville in 2010. Thanks to the number one single "Lover, Lover" and its Top Five follow-up, "What Do You Want," the album was a hit, and Niemann followed it in the fall of 2012 with the wild, adventurous Free the Music. The album received some good reviews but produced no hit singles, so Niemann played it safe on its 2014 follow-up, High Noon. The first single pulled from the record, "Drink to That All Night," went to number six on the Billboard country charts, besting anything released from Free the Music. Two subsequent singles from High Noon -- "Donkey" and "Buzz Back Girl" -- failed to generate a spark, and after the non-LP single "Blue Bandana" scraped Billboard's Country Top 40 chart in 2015, Niemann left Arista Nashville in 2016. He swiftly signed with Curb and released the Lee Brice duet "A Little More Love" as a single. Over the next year, he worked on his Curb debut, This Ride, which saw release in October 2017. ~ Steve Leggett
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- ORIGIN
- Harper, KS
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- GENRE
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Country
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- BORN
- July 24, 1979
Songs
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Drink to That All NightHigh Noon
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Lover, LoverJudge Jerrod & the Hung Jury
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Only God Could Love You MoreFree the Music
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What Do You Want
Judge Jerrod & the Hung Jury
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Donkey
High Noon
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Drink to That All Night (Remix) [feat. Pitbull]Drink to That All Night (Remix) [feat. Pitbull] - Single
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One More Drinkin' Song
Judge Jerrod & the Hung Jury
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I Got ThisThis Ride
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Blue BandanaBlue Bandana - Single
