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In the Absence of Truth


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Reseña de álbum

Isis pushed the envelope so far on 2002's Oceanic and 2004's gloriously pretentious concept album Panopticon that they spawned countless imitators, which is the greatest form of flattery in some quarters. In the Absence of Truth is the fourth full-length from Isis. This set is not a brave leap forward — most of us haven't caught up with the last one, and Oceanic spawned an even more experimental set of remixes in 2005 — but a further look up the holy mountain to a new plateau, a hike to sacred ground. Thank the gods. On these nine tracks, Isis never nervously explore; instead they seem to know exactly what corners to look into, what crags to reach in and grab onto, what caves lead to a blinding light that holds within it both everything and nothing. Isis is in full command this time out and as an album, In the Absence of Truth is as solidly explosive and as adventuresome as Panopticon, but their elemental control over the music is greater, therefore creating a more even production. Aaron Turner's vocals still etch an unclean line between half-sung and guttural roar. The lyrics are oblique and the voice is back in the mix of that nearly unrestrained savage wail of guitars, basses, drums, and keyboards. The pace is deliberately slow and circular on all cuts. Produced and engineered (again) by Matt Bayles, the sonic attack may be measured, but it is also pregnant with beauty and ferocity, with a guitar sound that is singular in the world of heavy metal and underground rock. While the opener "Wrists of Kings" is fraught with thundering tom toms, a shimmering Hammond organ, and counterpoint guitars and basses, it's rhythm is the key to its melodic frame. Turner's singing is in plain voice, but it's modal, another instrument to denote the passing of changes in the music's forms from taut, tense moments to sparse, open ones, though it's suffocating nonetheless. The sharp contrast is found in the very next cut, "Not in Rivers, But in Drops," which once more kicks off with those huge drums while traces of Vini Reilly from the Durutti Column enter the center of the mix and form an idea that the melody of the track just moves off from. Its gets very loud, beautifully articulated, yet reverb-drenched vocals and Jeff Caxide's bass rumble to signify something else is afoot. A brief instrumental interlude ends in raucous, brash calamitous heavy metal that uses single frames from King Crimson's "Lark's Tongues in Aspic." The entire album could be summed up in these two tracks, gorgeously wracked though they are with violence and brutal sensuality. But it goes from here; there's all this movement, where concentric circles ("In Root and Thorn," "Firdous E Bareen") are drawn and shattered to oblivion with a vengeance ("Dulcinea," "Holy Tears," and the closer, "Garden of Light"). It's this last track that gives an aural view of the big nothing inside the light (void) that is comprehensively full and empty, that is so relentlessly pursued on In the Absence of Truth. But it's viewed not with a trained scholar's eye, or with critical distance, but with heavy metal's damaged eardrums on some crazy quest to unseat everything and anything in its path by reaching inside the ache of beauty and turning it inside and showing us what it really looks like, and what it took to get there. Isis has a sound that can be copied, imitated even, but not equaled. This is simply because the patience and discipline it takes to create a sonic world and then destroy it makes no sense to most. Isis have been onto something from the very beginning and got to the edge of the abyss with Oceanic. Panopticon took an oppressive yet wonderfully curious view of its surroundings. In the Absence of Truth takes them into its dark heart squalling, whispering, crawling, drunkenly falling into its center, punching, screaming, and kicking until there is nothing left but silence. This is rock in the 21st century, anything less is cowardice.

Reseñas de clientes

The Evolution of Isis

There will be fans of this band who find the music a deviation from the path they created years ago. There will be fans who complain that this is not hard enough, heavy enough or too artsy. However, when you look at their past works, "In the Absence of Truth" is a logical step in the evolution of Isis. Taking a bit of a step back to the past in songs like "Dulcinea" and stepping a bit forward in songs like "1,000 Shards," Isis has gathered together an excellent assembly of their strengths and very little weakness. This whole work is like a "Best of" CD with entirely new tracks. The guitar work is interesting. The composition is strong. The dynamics are powerful and unique. This is Isis at their finest building upon past success and making something that might entice new listeners. Fans of Tool can hear the influence touring with the Maynard and co. have made. Regardless, this is Isis and the whole thing feels like an Isis work. However, it is entirely new and fresh. It delivers what a long time fan might expect but provides a great entry point for those who are new to the band. This is an excellent work that everyone who like progressive rock or metal will enjoy.

If you dig Tool, you will dig this

I'm a big Tool fan and and really enjoyed the deep rich rock tapestry Isis lays down on this album. Cool tribal drums, intense shifting melodies punctuated by huge stabbing slabs of metallic guitar and bass. The vocals are emotionally charged and remind me of a cross between Maynard and the dude from Gojira (another off-the-hook band worth checking out). This is epic stuff...I like.

Not surprising

I'll admit it, the first thorough listen of this new Isis album didn't leave me with a good impression because I was just so used to Panopticon and Oceanic that this album didn't sound similar. Anyway, I just decided to pop it in my car one day because hey, I'm an Isis fan and I have most of their stuff from here to Mosquito Control so I might as well give the new album a thorough listen again. A few days and a dozen listens later I loved this album. Everything about it is just too awesome for words. It amazes me how they can create such epic masterpieces. I listened to it for the entire two weeks that I was visiting home and now it reminds me of home. This album will definetley leave a lasting impression.


Fecha de formación: Boston, MA, 1997

Género: Rock

Años de actividad: '90s, '00s, '10s

Although rooted heavy metal and the punk/hardcore aesthetic, Isis' music relies just as heavily on ambience, atmosphere, and tone as it does complexity and aggression. Not so much a band per se as a musical collective, the members of the Boston-based quintet layer their compositions with feedback, power chords, quiet/loud dynamics, and vocals that are sometimes shouted, frequently screamed, and occasionally sung. The band was formed by Hydra Head Records owner Aaron Turner, who was hoping to combine...
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In the Absence of Truth, Isis
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