11 Songs, 49 Minutes

EDITORS’ NOTES

Portishead's debut isn't just one of the best albums to rise from the short-lived trip-hop movement—it's one of the best albums of the '90s, period. Combining languid breakbeats and haunting synths, the album is a downtempo spy novel, evoking dark alleys, loaded glances, and sinister undercurrents. Beth Gibbons sings like a caged bird, resilient yet full of sorrow, and partner-in-crime Geoff Barrow builds beats like a cinematographer composes a frame, deftly balancing light and shadow. This thing will give you chills.

EDITORS’ NOTES

Portishead's debut isn't just one of the best albums to rise from the short-lived trip-hop movement—it's one of the best albums of the '90s, period. Combining languid breakbeats and haunting synths, the album is a downtempo spy novel, evoking dark alleys, loaded glances, and sinister undercurrents. Beth Gibbons sings like a caged bird, resilient yet full of sorrow, and partner-in-crime Geoff Barrow builds beats like a cinematographer composes a frame, deftly balancing light and shadow. This thing will give you chills.

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Ratings and Reviews

4.7 out of 5
591 Ratings
591 Ratings
opinionated ,

Timeless, amazing music.

It's been eleven years since this album was released, but it didn't (and doesn't) belong to 1994 at all. This is music without an era.

Portishead's Dummy evokes a timeless, melancholic urge that leaves you feeling both haunted and satisfied at the same time. Weaving in obscure samples from who-knows-when and god-knows-what, the group gets it just right in every song.

"It Could Be Sweet," my favorite track from the album, is half hip-hop, half-smoky-lounge, with a beat that (trust me) gets attention in a car system, but gets even more from its intelligent lyrics and Beth Gibbons' haunting voice.

Other tracks, like the appropriately named "Sour Times" and "Numb," grab your mood and twist it several different directions at the same time. "Nobody loves me, it's true / Not like you do." These are lyrics that Garbage's Shirley Manson only wishes she could pull off convincingly. But Beth does it with dangerous clarity, hitting a nerve in this listener that both satisfies and stings.

This album is a must have for people who have complicated reactions to music. If you like _feeling_ your music, Portishead will stay in your iPod for a long, long time. Indeed, Dummy is one of my favorites.

Jack in Brooklyn ,

Atmospheric & Beautiful

If I had a nickel for every time this CD of mine "disappeared" from my collection, then I could retire right now. No, this is not a confession or forum for me to complain about kleptomaniac friends and lovers; it's a testimony to how seductive and beautiful this album was in 1994 and remains today.

The first three tracks are my favourites, and this album is always the perfect one to set the mood you-know-where.

Timeless, haunting, sexy, and beautiful.

el walto ,

A Seminal Trip-Hop Recording

Portishead may not have began trip-hop, but for me they defined it with this landmark disc. I'm still amazed that after all these years, Dummy is still my all time favorite album. It's not surprising that their music has withstood the test of time, as contemporary artists of the genre sample from Portishead songs every now and again. If you've never heard of trip-hop, then do yourself a favor and listen to Portishead's sublime mixture of downtempo beats, ochestral accompaniment, jazz influences, sampling and scratching, and ethereal vocals. Or if you're like me, get all excited about them again on a high-end home theatre system!

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