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The Road…

Keiko Matsui

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Album Review

It's been four long years since pianist and composer Keiko Matsui released the spare, elegant Moyo. That is an atypical break for an artist who has recorded 22 studio albums since her debut in the late 1980s. Appearing on Shanachie for the first time, The Road was largely self-produced. Matsui appears in varying contexts here, from trios to quartets and quintets to an octet on a musically diverse set that sums up virtually every place she's been while continuing to point the way forward. Some of these players have collaborated with her for decades while still others make their initial appearances. The opening "Secret Pond" utilizes Matsui's love of new age music in a context that also employs Japanese folk melodies and classical themes; it is arranged by Heigo Yokouchi and features bassist Reggie Hamilton and drummer Vinnie Colaiuta. Cameroonian bassist, composer, and vocalist Richard Bona appears on the successive tracks "Falcon's Wing," and "Nguea Wonja." The former is a breezy minor-key affair with Matsui playing a classical theme counter to Bona's lithe, nocturnal bassline and shimmering wordless vocal. The latter is an exercise in world jazz that encompasses African and Latin rhythms in a stridently syncopated context. "Bohemian Concerto" is a dead cross between tango and flamenco with Matsui's piano trio pairing with a quartet of accordion, classical guitar, violin, and cello. Kirk Whalum appears on the 21st century funky blues that is "Awakening" in a septet; he trades breaks with James Hara's guitar and Matsui. He also guests on the smooth-gooving "Affirmation," in which his soulful saxophone solo is the centerpiece. The set closes with the title track. Jackiem Joyner plays saxophone in the slowly developing tune which weds classical and new age. Derek Nakamoto's arrangement places Joyner's bluesy saxophone in direct juxtaposition to Kay Ta Matsuno's guitar and dulcimer, but the track is captured by a knotty, startling piano solo by Matsui that ends in a percussive crescendo. The Road is yet another fascinating chapter in the career of a prolific artist whose approach to contemporary music knows no bounds.

Customer Reviews

The Road

Definitely a great new sound, very refreshing in every way!

New Age Fanatic

Keiko is my all time favorite new age/smooth jazz pianist. I have most of her albums and look forward to the time I can see her perform on stage live.

Not one of her better albums

I have every Keiko Matsui album that she has made, including this one, but this album is poor at best. The Keiko that I love was absent on this album, the sax playing was totally out of character as well. I was so thrilled when I learned that she had a new album out - but I do wish I hadn't purchased it. Wow - I'm just sooo disappointed!

Biography

Born: Tokyo, Japan

Genre: Jazz

Years Active: '80s, '90s, '00s, '10s

Fusion/new age keyboard player Keiko Matsui grew up in Tokyo and took her first piano lesson at the age of five. Influenced by Stevie Wonder and Rachmaninov as well as early fusion masters Maurice Jarre and Chick Corea, Matsui began composing while in junior high but studied children's culture at the Japan Women's University (Nihon Joshidaigaku). She moved to the Yamaha Music Foundation in Tokyo after graduation and formed Cosmos, recording four albums with the new age group. Her first album as a...
Full Bio
The Road…, Keiko Matsui
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