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The End of Heartache (Bonus Track Version)

Killswitch Engage

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Album Review

By fusing the best elements of American metalcore and European melodic death metal (i.e., the Gothenburg school), Massachusetts' Killswitch Engage achieved what hundreds of nu-metal bands only dreamed of: supplying American heavy metal with a viable facelift with which to set itself to rights in the new millennium. The fact that in order to do this they relied on songs with actual substance, not fabricated image or false pretense, goes to the heart of 2002's stunning Alive or Just Breathing's success, as well as its masterful successor, 2004's much anticipated The End of Heartache. Indeed, little has changed from one album to the next, which can be viewed as a positive or a negative, depending on the listener. But with distinctive songwriting and that delicate but explosive dynamic balance between melody and abrasiveness still readily on display in pace-setting openers "A Bid Farewell" and "Take This Oath," the former seems more likely. Track number three, the excellent "When Darkness Falls," is where Killswitch will convince most lingering cynics, and the ensuing "Rose of Sharyn" is arguably the group's most accessible single yet (and also possibly a bone of contention for fans of their harder stuff). Next up, the mild-mannered interlude "Inhale" is actually a warning for the breathtaking power riffing of "Breathe Life," after which the all-encompassing title track really hammers one out of the ballpark. And so it goes; as riff upon riff are piled sky-high into each number that follows, it's the unpredictable rhythmic shifts used to build and then relieve internal pressure that fuel the Killswitch Engage power source. On a side note, much has been made of the replacement of former vocalist Jesse David Leach with relative newcomer Howard Jones (relative being the operative word since he toured with the band for two years prior to this recording), but, to be perfectly honest, the differences between them are totally negligible. Jones effortlessly matches his predecessor's talent for both clean singing and hardcore-style screaming, and additional highlights such as "World Ablaze" and the pulverizing "Wasted Sacrifice" prove his voice to be the perfect complement to his bandmates' technical proficiency. As mentioned previously, The End of Heartache only errs for making very few attempts to expand Killswitch Engage's general formula, good though it may be — but there's always a next time. And as the saying goes, too much of a good thing is rarely a bad thing. [The 2005 Deluxe edition of the album came with a second disc of unreleased and live tracks.]

Customer Reviews

Best album... ever

If you already own the normal version, it isn't worth the buy. The bonus songs are pretty impressive, but the live versions of songs are the cream to buy. Apart from already owning this album... buy this version if you don't own it. Honestly this blows away most of Killswitch's other albums, apart from Alive or Just Breathing. (The only reason is because I prefer Howard's Voice. Bottom Line: Buy this... It's good

Awesome!

this album is the best album by killswitch out of all of them. buy this album if u want metal!!!

!!!!

THE BEST KsE album EVER. It has Christian lyrics, and a combination of Screamo and metal. great album, guys!

Biography

Formed: 1999 in Boston, MA

Genre: Rock

Years Active: '90s, '00s, '10s

The four bandmembers who came together and created Killswitch Engage already had strong fan followings. Mike D'Antonio (bass) was formerly the leader and principal songwriter of Overcast, the legendary underground metal group. When Overcast split in 1998, D'Antonio sought for a year to find the right combination of players to fuse hardcore and metal with melody. During the summer of 1999, D'Antonio connected with Adam Dutkiewicz, who was the drummer for Aftershock, and Joel...
Full Bio
The End of Heartache (Bonus Track Version), Killswitch Engage
View In iTunes
  • $14.99
  • Genres: Rock, Music, Metal, Hard Rock, Death Metal/Black Metal
  • Released: May 03, 2004

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