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Fado Curvo

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Album Review

On her first album, Fado em Mim, Mariza covered four songs by the late queen of fado, Amália Rodrigues, drawing a specific parallel to her predecessor. On her second album, Fado Curvo, she covers only one, "Primavera," which may suggest that she is starting to put her inspiration behind her. But she remains true to the traditional sound and mood of fado, even if the album title implies that she is giving it her own twist. Producer Carlos Maria Trindade provides spare, acoustic, and rhythmic arrangements, focusing on the Portuguese guitar of Mário Pacheco, but for the most part he stays out of the singer's way, using the accompaniment merely to anchor her expressive vocals. The lyrical sentiments, conveniently translated in the booklet to the American version of the release (even if a note admonishes, "No literate [literal?] aim at the translation of the poems"), are highly poetic and filled with regret and longing for the past, the better to be interpreted by Mariza's heartrending singing. Even an English speaker struggling with the "literate aim" of those words can get the point of the songs from the arrangements and the singer's tone.

Customer Reviews

truly incredible!

warning: once you listen to ONE song, you'll be hooked. You'll find yourself online learning Portuguese and trying to find a live concert. As well you should!

Biography

Born: December 16, 1973 in Mozambique

Genre: Raíces

Years Active: '90s, '00s, '10s

Born in Mozambique but raised in Portugal, singer Mariza became one of the most popular fado performers ever after releasing her debut album, called Fado Em Mim. The Dutch-based World Connection label signed her up, captivated by her highly stylized performances of fado (destiny in English) a Portuguese style based on different folk rhythms. Mariza's knowledge of jazz and blues helped her make one of the most interesting European folk records in the new millennium. The album, produced by Jorge Fernando,...
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Fado Curvo, Mariza
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