14 Songs, 55 Minutes

EDITORS’ NOTES

Mark E. Smith has always gotten the best out of his musicians. He has a gift for bringing sounds together in unorthodox ways that take on a life of their own. "Ride Away" is sparse, relying on Ben Pritchard's slashing guitar, Elena Poulou's elementary keyboards, and Smith's near-tuneful delivery. From this deliberately lumpy delivery, the album hits its stride. "Pacifying Joint" spotlights drummer Spencer Birtwistle's supple rhythm bouncing with Poulou's keyboard (which again drives the melody). A cover of The Move's "I Can Hear the Grass Grow" is another excellent reinvention of an unexpected cover. "Bo Demmick" rides Steve Trafford's sturdy bass line as Smith prattles on in pure Fall fashion. Trafford has several vocal turns, highlighted by the acoustic waltz "Early Days of Channel Fuhrer." Meanwhile, "Trust in Me" is—even by Fall standards—a stylistic departure featuring several guest vocalists. However, "Blindness" is a purebred Fall grinder that exemplifies everything that's magnificent about the Mark E. Smith songwriting schematic.

EDITORS’ NOTES

Mark E. Smith has always gotten the best out of his musicians. He has a gift for bringing sounds together in unorthodox ways that take on a life of their own. "Ride Away" is sparse, relying on Ben Pritchard's slashing guitar, Elena Poulou's elementary keyboards, and Smith's near-tuneful delivery. From this deliberately lumpy delivery, the album hits its stride. "Pacifying Joint" spotlights drummer Spencer Birtwistle's supple rhythm bouncing with Poulou's keyboard (which again drives the melody). A cover of The Move's "I Can Hear the Grass Grow" is another excellent reinvention of an unexpected cover. "Bo Demmick" rides Steve Trafford's sturdy bass line as Smith prattles on in pure Fall fashion. Trafford has several vocal turns, highlighted by the acoustic waltz "Early Days of Channel Fuhrer." Meanwhile, "Trust in Me" is—even by Fall standards—a stylistic departure featuring several guest vocalists. However, "Blindness" is a purebred Fall grinder that exemplifies everything that's magnificent about the Mark E. Smith songwriting schematic.

TITLE TIME

Ratings and Reviews

4.0 out of 5
10 Ratings
10 Ratings
Smoking Zap Gun ,

Strong Outing

Once again Mark E Smith delivers a rockin album, but this is honestly the best the Fall has sounded since the Light User Syndrome. Full of powerful guitars, pounding bass and yes, repetition repetition repetition Fall Heads Roll is an album that deserves not only repeated listening but LOUD listening.

Favorite track-'I Can Hear The Grass Grow' (cover of the Move)

kickercon ,

granny pounds the bongos

I've been a Fall fan for nearly a couple of decades now. This new(ish) band rocks as good as the best of the Fall line-ups from the '80's. I wasn't expecting much but this release is a thumping, shredding, scathing onslaught and I love it. Mr. Smith is still mysterious and unintelligible and charismatic. This is the best Fall record since Wonderful and Frightening.

inluv_w/music ,

Mitsubishi commercial

"Blindness" is an awesome song with a great beat. it's in a mitsubishi commercial for the 2008 Outlander.

More By The Fall

You May Also Like